Pleasure VictimArtist: Berlin
Community Score: 8.90
Originally released by the fledgling Enigma Records in 1982 and picked up by Geffen in early 1983 when the lascivious novelty single "Sex (I'm A...)" started picking up radio attention, Pleasure Victim is a frankly exploitative little slab of synth pop cynicism, so baldly crass in its positioning of lead singer Terri Nunn as a sex kitten (posing...
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Creatures of LeisureArtist: Mental as Anything
Community Score: 10.00
Following up their biggest album yet, the Mentals rose to the occasion on this, their fourth full-length release. Though it may seem to be the little brother to 1981's Cats and Dogs, Creatures of Leisure is actually an even better album than it's predecessor. With producers Bruce Brown and Russell Dunlop again spinning the knobs, the Mentals...
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Searching for the Young Soul RebelsArtist: Dexys Midnight Runners
Community Score: 10.00
The crackling stations being switched on the radio and the gang shout followed by the spoken injunction to "burn it down" sound like they should be starting off a Sham 69 record. Then "Burn It Down" actually starts, with its horn section, Hammond organ and Kevin Rowland's utterly unconventional soul vocals. The cult of Dexy's, and this album in...
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The HurtingArtist: Tears for Fears
Community Score: 8.28
The Hurting would have been a daring debut for a pop-oriented band in any era, but it was an unexpected success in England in 1983, mostly by virtue of its makers' ability to package an unpleasant subject -- the psychologically wretched family histories of Roland Orzabal and Curt Smith -- in an attractive and sellable musical format. Not that...
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Speaking in TonguesArtist: Talking Heads
Community Score: 6.21
Talking Heads found a way to open up the dense textures of the music they had developed with Brian Eno on their two previous studio albums for Speaking in Tongues, and were rewarded with their most popular album yet. Ten backup singers and musicians accompanied the original quartet, but somehow the sound was more spacious, and the music admitted...
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East Side StoryArtist: Squeeze
Community Score: 8.00
East Side Story was originally planned as a double album with each side produced by a different "hot" producer -- Elvis Costello, Nick Lowe, Dave Edmunds, and Paul McCartney were the proposed lineup. And while only Elvis Costello (along with Roger Bechirian) ended up doing the job, save for one track by Edmunds, Costello's push for decidedly...
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Artist: Peter Schilling
Zenyatta MondattaArtist: The Police
Community Score: 8.00
The stage was set for the Police to become one of the biggest acts of the '80s, and the band delivered with the 1980 classic Zenyatta Mondatta. The album proved to be the trio's second straight number one album in the U.K., while peaking at number three in the U.S. Arguably the best Police album, Zenyatta contains perhaps the quintessential new...
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CargoArtist: Men at Work
Community Score: 9.50
Cargo was bashed out fairly quickly, but its release was delayed because of the success of Men at Work's debut, Business as Usual. Though it was recorded on the road, Cargo is considerably more diverse -- but not necessarily more ambitious -- than its predecessor. Again, the album is anchored by two extraordinary singles. Fortunately, the...
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Business as UsualArtist: Men at Work
Community Score: 7.50
Business as Usual became a surprise international hit on the basis of "Who Can It Be Now?" and "Down Under," two excellent singles that merged straight-ahead pop/rock hooks with a quirky new wave production and an offbeat sense of humor. Colin Hay's keening vocals uncannily recall Sting, and the band's rhythmic pulse and phased guitars also...
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Beauty and the BeatArtist: The Go-Go's
Community Score: 9.93
Although the relatively polished production belies the Go-Go's' punk roots, Beauty and the Beat remains one of the cornerstone albums of new wave, bristling with energy, revamped surf rock and girl-group hooks, and an intoxicating sense of fun. The infectious, bouncy "We Got the Beat" and the pulsating "Our Lips Are Sealed," which Jane Wiedlin...
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Reach the BeachArtist: The Fixx
Community Score: 7.54
Reach the Beach is a significant step forward from the Fixx's debut album, Shuttered Room, simply because the band can now craft immediately accessible, incessantly catchy pop/rock melodies. "One Thing Leads to Another" has a big, ringing guitar hook hammered home by the dance beat, while "Saved by Zero" and "The Sign of Fire" are cool, robotic...
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Singles 45's and UnderArtist: Squeeze
Community Score: 8.00
Above all, Squeeze were a great singles act -- among the finest of the era -- and Singles 45's and Under offers proof of that fact, giving a chronological survey of their biggest hits from their early, pre-breakup period. Most of the songs can be found on the actual albums, aside from the slightly different single version of "Goodbye Girl" and...
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