Billy Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big-band, then as the first romantic black male in popular music. An influence looming large in the cultural development of soul and R&B singers from Sam Cooke to Prince, Eckstine was able to play it straight on... [+] Read More

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Brenton Wood's charmingly unpredictable phrasing and his infectious sense of good times made the smooth uptown soul of "The Oogum Boogum Song" and "Gimme Little Sign" into hits in 1967. Despite his skill as a pop-soul vocalist, Wood was never able to match such heights again, yet those two songs became genuine R&B classics of their era. [+] Read More

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Clyde McPhatter was one of the most influential R&B singers of the '50s and early '60s. In his own time, his name and voice loomed so much larger than that of the group the Drifters, which he founded, that it took five years for them to recover from his departure. McPhatter was idolized by Black audiences as few singers before or since ever... [+] Read More

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Jackie Wilson was one of the most important agents of black pop's transition from R&B into soul. In terms of vocal power (especially in the upper register), few could outdo him; he was also an electrifying on-stage showman. He was a consistent hitmaker from the mid-'50s through the early '70s, although never a crossover superstar. His reputation... [+] Read More

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Jerry Butler's career spans four decades; he recorded more than 50 albums and his voice is one of the most distinguished voices in all of music. As soulful as ever, yet smooth as ice, his nickname "The Ice Man" epitomizes his demeanor -- and sound. In spite of his status as a true music icon, he remains humble. Butler moved from Sunflower, MS,... [+] Read More

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Singer/songwriter Joe South (born Joe Souter) began his career as a country musician, performing on an Atlanta radio station and joining Pete Drake's band in 1957. The following year, he recorded a novelty single, "The Purple People Eater Meets the Witch Doctor," and became a session musician in Nashville and at Muscle Shoals. South appeared on... [+] Read More

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Blessed with a warm, sweet voice, Major Lance was one of the leading figures of Chicago soul during the '60s and the top-selling artist for OKeh Records during the decade. Lance not only had a lovely voice, but his material was excellent. During the height of his success, the majority of his songs were written by Curtis Mayfield and produced by... [+] Read More

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A masterful songwriter whose touching blues ballad "Please Send Me Someone to Love," a multi-layered universal lament, was a number one R&B hit in 1950, Percy Mayfield had the world by the tail until a horrific 1952 auto wreck left him facially disfigured. That didn't stop the poet laureate of the blues from writing in prolific fashion, though.... [+] Read More

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They called Atlantic Records "the house that Ruth built" during the 1950s, and they weren't referring to the Sultan of Swat. Ruth Brown's regal hitmaking reign from 1949 to the close of the '50s helped tremendously to establish the New York label's predominance in the R&B field. Later, the business all but forgot her -- she was forced to toil as... [+] Read More

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The history of rhythm and blues is filled with vocal groups whose names -- the Orioles, the Cadillacs, the Crows, the Flamingos, the Moonglows, the Coasters, the Penguins -- are held in reverence by fanatics and devotees. The Drifters are part of an even more exclusive fraternity, as a group that managed to carve out a place for themselves in... [+] Read More

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