Frank Sinatra was arguably the most important popular music figure of the 20th century, his only real rivals for the title being Bing Crosby, Elvis Presley, and the Beatles. In a professional career that lasted 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals despite often countervailing trends.... [+] Read More

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Arthur Prysock was perfectly at home singing jazz, blues, or R&B, but his smooth-as-silk baritone made him a superbly effective (and underappreciated) pop crooner in the manner of his chief influence, Billy Eckstine. Prysock was born January 2, 1929, in Spartanburg, SC, and was the brother of saxophonist Red Prysock. As a teenager, he moved to... [+] Read More

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Billy Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big-band, then as the first romantic black male in popular music. An influence looming large in the cultural development of soul and R&B singers from Sam Cooke to Prince, Eckstine was able to play it straight on... [+] Read More

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Silky smooth: that was Brook Benton's byword from his first record to his very last, as the singer parlayed his rich baritone pipes into seven number one R&B hits and eight Top Ten items. Stints on the gospel circuit preceded Benton's first secular session for Okeh in 1953, but his career didn't begin to take off until he teamed with... [+] Read More

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With his sister Ella seductively serving for decades as his primary vocalist, pianist Buddy Johnson led a large jump blues band that enjoyed tremendous success during the 1940s and '50s. The suave bandleader spotlighted a series of talented singers, including balladeers Arthur Prysock, Nolan Lewis, and Floyd Ryland, but it was Ella's understated... [+] Read More

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Dick Haymes was one of the most splendid ballad singers of his era, the near-equal of Crosby and Sinatra on classics of the form like "It Can't Be Wrong," "Till the End of Time" and "It Might as Well Be Spring." Though he was unable to cash in during the '50s golden era of adult-pop (due to alcoholism, troubles with the government, and a few... [+] Read More

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"The First Lady of Song," Ella Fitzgerald was arguably the finest female jazz singer of all time (although some may vote for Sarah Vaughan or Billie Holiday). Blessed with a beautiful voice and a wide range, Fitzgerald could outswing anyone, was a brilliant scat singer, and had near-perfect elocution; one could always understand the words she... [+] Read More

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The professional career of this pianist and prolific recording artist began when he wandered into the publishing offices of then successful recording artist and composer Clarence Williams with hopes of selling and song or two. It was the mid '30s, and whatever songs Erskine Butterfield had on tap at that time have been forgotten since Williams... [+] Read More

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Frank Sinatra was arguably the most important popular music figure of the 20th century, his only real rivals for the title being Bing Crosby, Elvis Presley, and the Beatles. In a professional career that lasted 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals despite often countervailing trends.... [+] Read More

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He was known as "Mister Five-By-Five" -- an affectionate reference to his height and girth -- a blues shouter who defined and then transcended the form. The owner of a booming voice that radiated sheer joy in whatever material he sang, Jimmy Rushing could swing with anyone and dominate even the loudest of big bands. Rushing achieved his greatest... [+] Read More

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Mel Tormé was a jazz-oriented pop singer who worked at his craft steadily from the 1940s to the 1990s, primarily in nightclubs and concert halls. In his 1988 autobiography, It Wasn't All Velvet (its title a reference to his nickname, "The Velvet Fog," bestowed upon him by a disc jockey in the 1940s to describe his husky, wide-ranging voice), he... [+] Read More

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