Genre: Latin
To rescue the brasilian music’s sonorities like the Bossa Nova, the Samba and others styles, while adding a little bit of rock, jazz, and pop accents. That’s the proposal of Brazil Back in Bossa band. The Brasilian band shows their own compositions, traditional brasilian numbers and some rock classics (even Led Zeppelin!!) rhythmically...
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Genre: Latin
Decades Active: 60s, 70s, 80s, 90s, 00s
The honey-toned chanteuse on the surprise Brazilian crossover hit "The Girl From Ipanema," Astrud Gilberto parlayed her previously unscheduled appearance (and professional singing debut) on the song into a lengthy career that resulted in nearly a dozen albums for Verve and a successful performing career that lasted into the '90s. Though her... [+] Read More
Genre: Rock/Pop
Decades Active: 60s, 90s
The Baja Marimba Band is a nine-piece instrumental group led by marimba player Julius Wechter (b. May 10, 1935) that was spun off from Herb Alpert's Tijuana Brass and signed to his A&M Records label. They charted frequently in the second half of the 1960s with their versions of contemporary hits, the biggest of which was a number 41 version of... [+] Read More
Genre: Latin
Decades Active: 70s, 80s, 90s, 00s
Of the early stars of MPB (musica popular brasileira), Chico Buarque was one of the first to become a certifiable pop star. With his warm, nasally croon, elegant phrasing, and considerable skill at lyric writing, Buarque (who is handsome to boot) became extremely popular with women, who loved his understated sensuality. However, Buarque was... [+] Read More
Genre: Latin
Decades Active: 60s, 70s, 80s, 90s, 00s
Despite a productive career, Deodato will always be best-known for a 1972 hit record, his catchy adaptation of "Also Sprach Zarathurstra (Theme From 2001: A Space Odyssey)." He began his career playing in a popular local rock group as a teenager. At 17, he was asked to arrange for a recording session orchestra and, despite never having written a... [+] Read More
Genre: Latin
Decades Active: 60s, 70s, 80s
Temperamental and moody, capable of fits of extreme generosity that could quickly turn into moments of rage-filled paranoia, Elis Regina was one of the most ferociously talented singers to emerge from Brazil. A perfectionist who was frequently dissatisfied, Regina drove herself and members of her band relentlessly, leading to her being dubbed... [+] Read More
Genre: Jazz
In addition to being a BMI composer/artist, Erik Jay is a writer, editor, and designer who lives in L.A. with his wife, Lydia, a certified spiritual director. His surprising blend of jazz, pop, r&b, and Latin influences has gotten him radio play in Asia, Canada, Europe, South America, and Africa, as well as on non-cartel U.S stations. He was an... [+] Read More
Genre: Easy Listening
Decades Active: 60s, 70s, 80s, 90s, 00s
One of the most successful instrumental performers in pop history, trumpeter Herb Alpert was also one of the entertainment industry's shrewdest businessmen: A&M, the label he co-founded with partner Jerry Moss, ranks among the most prosperous artist-owned companies ever established. Born March 31, 1935, in Los Angeles, Alpert began playing the... [+] Read More
Genre: Latin
Decades Active: 50s, 60s, 70s, 80s, 90s, 00s
When talking about bossa nova, perhaps the signature pop music sound of Brazil, frequently the first name to come to one's lips is that of Antonio Carlos Jobim. With songs like "The Girl From Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s. However, as is often the case, others come... [+] Read More
Genre: Latin
Decades Active: 60s, 70s, 80s, 90s, 00s
Marcos Valle was the Renaissance man of Brazilian pop, a singer/songwriter/producer who straddled the country's music world from the early days of the bossa-nova craze well into the fusion-soaked sound of '80s MPB. Though his reputation in America never quite compared to contemporaries like Caetano Veloso, Milton Nascimento, Gilberto Gil, or... [+] Read More
Genre: Latin
Decades Active: 50s, 60s, 70s, 80s, 90s
The composer of bossa nova classics like "O Barquinho," "Ah, Se Eu Pudesse," "Errinho à Tôa," "Nós e o Mar," "Rio," "Você," and "Vagamente," Roberto Menescal started his professional career in 1957 as Sylvia Telles' sideman (on guitar) in a tour around Brazil. In 1958, he opened a guitar school in Copacabana (Rio) with Carlos Lyra, having as his... [+] Read More