Pal Waaktaar and Magne Furuholmen, formerly of Bridges formed a-ha in the early '80s. Morten Harket joined the duo, and they left for the now 'legendary London flat' (so called because of its state of disrepair) to make it. By late 1983 they had achieved part of that goal by signing to WEA. "Take on Me" took three times to become a hit in the... [+] Read More

Yes No

INXS hailed from the pubs of Australia, which is part of the reason they never comfortably fit in with new wave. Even when the band branched out into synth pop on its early recordings, they were underpinned by a hard, Stonesy beat and lead singer Michael Hutchence's Jagger-esque strut. Ultimately, these were the very things that made INXS into... [+] Read More

Yes No

Japan's evolution from rather humble glam rock beginnings into stylish synth pop (and beyond) made the British group one of the more intriguing and successful artists of their era. Formed in London in 1974, Japan began its existence as a quintet comprised of singer/songwriter David Sylvian, bassist Mick Karn, keyboardist Richard Barbieri,... [+] Read More

Yes No

Australia's Midnight Oil brought a new sense of political and social immediacy to pop music: not only did incendiary hits like "Beds Are Burning" and "Blue Sky Mine" bring global attention to the plight of, respectively, aboriginal settlers and impoverished workers, but the group also put its money where its mouth was -- in addition to mounting... [+] Read More

Yes No

Synth pop's first international superstars, the Human League were among the earliest and most innovative bands to break into the pop mainstream on a wave of synthesizers and electronic rhythms, their marriage of infectious melodies and state-of-the-art technology proving enormously influential on countless acts following in their wake. The group... [+] Read More

Yes No

The Jam were the most popular band to emerge from the initial wave of British punk rock in 1977; along with the Sex Pistols, the Clash, and the Buzzcocks, the Jam had the most impact on pop music. While they could barely get noticed in America, the trio became genuine superstars in Britain, with an impressive string of Top Ten singles in the... [+] Read More

Yes No

Nominally, the Police were punk rock, but that's only in the loosest sense of the term. The trio's nervous, reggae-injected pop/rock was punky, but it wasn't necessarily punk. All three members were considerably more technically proficient than the average punk or new wave band. Andy Summers had a precise guitar attack that created dense,... [+] Read More

Yes No

Despite Duran Duran ruling the earth by late 1984 (due to countless hits and sold-out tours), the band had completely burned themselves out with a non-stop, grueling work schedule. 1985 was supposed to be a year-long break for its members from band duties, but its five members ultimately formed two separate side-projects: the Power Station,... [+] Read More

Yes No

Over the years, the Pretenders became a vehicle for guitarist/vocalist Chrissie Hynde's songwriting, yet it was a full-fledged band when it was formed in the late '70s. With their initial records, the group crossed the bridge between punk/new wave and Top 40 pop more than any other band, recording a series of hard, spiky singles that were also... [+] Read More

Yes No

The Psychedelic Furs, whose name belies their punk-influenced music, were formed in England in 1977 by brothers Richard Butler (vocals) and Tim Butler (bass), along with saxophone player Duncan Kilburn and guitarist Roger Morris. By the time they released their self-titled debut album in 1980, the group had become a sextet, adding guitarist John... [+] Read More

Yes No