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Critic's Review
Ron Wynn, All Music Guide
Muhal Richard Abrams blended vintage and progressive sensibilities on this outstanding 1984 session. It was a large band outing, and Abrams assembled many of the finest active improvisers. His orchestra did not include just saxophones and trumpets, but also French horns, bass clarinets, cello, guitar, vibes, and timpani. This assured Abrams a varied, rich sound with multiple options. He led the orchestra through pieces that were sometimes introspective and other times jubilant and swinging, but never simple or predictable. This session was a challenging, instructive, and entertaining lesson in modern big band writing, arranging and performing.
