By 1929, Louis Armstrong had switched from New Orleans jazz to fronting a variety of larger orchestras, widening his repertoire to include pop tunes but always leaving room for closing trumpet solos. This set includes all known versions (including a few new alternates) of his recordings of this... [+] Expand

By 1929, Louis Armstrong had switched from New Orleans jazz to fronting a variety of larger orchestras, widening his repertoire to include pop tunes but always leaving room for closing trumpet solos. This set includes all known versions (including a few new alternates) of his recordings of this era, including appearances by backing singers Seger Ellis and Victoria Spivey. Highpoints include "Mahogany Hall Stomp" and "Ain't Misbehavin'." ~ Scott Yanow, All Music Guide [-] Collapse

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