The 1998 re-release of Return to Forever's Light As a Feather -- the second, final, and most popular album of the band's first edition -- as a two-CD set had the effect of nearly doubling the band's released output. The first disc contains the original album as sequenced, while the second... [+] Expand

The 1998 re-release of Return to Forever's Light As a Feather -- the second, final, and most popular album of the band's first edition -- as a two-CD set had the effect of nearly doubling the band's released output. The first disc contains the original album as sequenced, while the second contains over an hour of outtakes, including some new titles and tracks that were reconstructed from a number of takes. The actual album as originally released was a splendidly light, fluid, fleeting exercise in electric jazz with a strong whiff of Brazil, featuring Corea's lyrical, probing work on Rhodes electric piano and containing a number of Corea tunes -- especially the Rodrigo-based "Spain" -- that became standards. Airto Moreira was a whirlwind on trap drums and overdubbed percussion, Flora Purim's vocals gave the band some commercial appeal; Stanley Clarke made his first astounding impact on electric and stand-up basses; Joe Farrell contributed superb wind solos. The outtakes are of uniformly high quality, all but one unmarked by post-production, with excellent solos all around. The major surprise is four takes of a tune previously released on Corea's 1972 ECM album Return to Forever. "What Games Shall We Play Today?" is a great little Chick Corea boogaloo with a delicate wah-wah pedal applied to the Rhodes. It was heartening to see the jazz industry finally starting to document its electric music heritage with the same thoroughness once reserved only for acoustic jazz landmarks. ~ Richard S. Ginell, All Music Guide [-] Collapse

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