Since Paul Desmond only recorded two albums for CTI, this best-of accumulation from that label stretches the definition a bit by including Desmond appearances on other CTI albums by Jim Hall, Chet Baker, Don Sebesky, and Jackie & Roy, along with extensive samplings from the solo albums. Of... [+] Expand

Since Paul Desmond only recorded two albums for CTI, this best-of accumulation from that label stretches the definition a bit by including Desmond appearances on other CTI albums by Jim Hall, Chet Baker, Don Sebesky, and Jackie & Roy, along with extensive samplings from the solo albums. Of course, a more sweeping idea would have been to raid Columbia's vast Dave Brubeck archives for more prime Desmond, but the archivists presumably wanted a more musically unified package. In any case, during this period, Desmond was working at a very relaxed pace, recording now and then, fitting into the carefully produced small-group CTI format and a handful of orchestral sessions. He plays beautifully at all times, with Creed Taylor's production inflating the famous dry-martini alto sax tone into something fuller and lusher. Yet he didn't have too much that was new and striking to say at this stage; the earlier Creed Taylor A&Ms are more eloquent and Desmond's true Indian summer would come in his later Horizon recordings with and without Brubeck. The lopsidedly swinging remake of "Take Ten" with Gabor Szabo on guitar, two tracks from Pure Desmond with guitarist Ed Bickert as Paul's subdued, inspired new sidekick ("Squeeze Me," "I'm Old Fashioned") and an absolutely gorgeous, "Song to a Seagull" from Sebesky's Giant Box stand out. As a summation of a particular period of Desmond's career, there is plenty to enjoy here. ~ Richard S. Ginell, All Music Guide [-] Collapse

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