Less overtly adventurous than its predecessor, {^Empyrean Isles}, {^Maiden Voyage} nevertheless finds {$Herbie Hancock} at a creative peak. In fact, it's arguably his finest record of the '60s, reaching a perfect balance between accessible, lyrical {\jazz} and chance-taking {\hard bop}. By this point, the pianist had been with {$Miles Davis} for two years, and it's clear that {$Miles}' subdued yet challenging modal experiments had been fully integrated by {$Hancock}. Not only that, but through {$Davis}, {$Hancock} became part of the exceptional rhythm section of bassist {$Ron Carter} and drummer {$Tony Williams}, who are both featured on {^Maiden Voyage}, along with trumpeter {$Freddie Hubbard} and tenor saxophonist {$George Coleman}. The quintet plays a selection of five {$Hancock} originals, many of which are simply superb showcases for the group's provocative, unpredictable solos, tonal textures, and harmonies. While the quintet takes risks, the music is lovely and accessible, thanks to {$Hancock}'s understated, melodic compositions and the tasteful group interplay. All of the elements blend together to make {^Maiden Voyage} a shimmering, beautiful album that captures {$Hancock} at his finest as a leader, soloist, and composer. ~ Stephen Thomas Erlewine, All Music Guide