King of RockArtist: Run-D.M.C.
Community Score: 7.20
Take the title of Run-D.M.C.'s King of Rock somewhat literally. True, the trailblazing rap crew hardly abandoned hip-hop on their second album, but they did follow through on the blueprint of their debut, emphasizing the rock leanings that formed the subtext of Run-D.M.C. Nearly every cut surges forward on thundering drum machines and simple...
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Enta da StageArtist: Black Moon
Community Score: 9.11
TicalArtist: Method Man
Community Score: 8.05
The first Wu-Tang Clan solo album to follow the seismic impact of Enter the Wu-Tang, Method Man's Tical similarly delivers an otherworldly wallop, one that instantly sets the madcap MC apart from his clansmen as the collective's shining star. Not only is Meth madcap, both in terms of mentality and delivery, he's also incredibly witty and wordy....
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It Takes a ThiefArtist: Coolio
Community Score: 5.70
Just when it looked like rap would completely succumb to the violent hyperbole and mean-spirited "realness" of gangsta rap, new blood entered the scene in 1994 to nudge the genre back toward friendlier turf. That new blood included Nas, Craig Mack, and Coolio, whose It Takes a Thief starts with the easy-rolling funk of Lakeside's "Fantastic...
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SouthernplayalisticadillacmuzikArtist: OutKast
Community Score: 7.66
It is on OutKast's debut album that the fledgling production team Organized Noize began forging one of the most distinctive production sounds in popular music in the '90s: part hip-hop; part live, Southern-fried guitar licks and booty-thick bass runs; and part lazy, early-'70s soul. The album was not only artistically successful but also thrived...
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187 He WroteArtist: Spice 1
Community Score: 7.60
Spice 1 continues his bleak, stripped-down version of gangsta rap with 187 He Wrote, an album that can be harrowing and appalling. Throughout the record, the spare, funky production keeps the music engaging, making the disturbing lyrics cut even deeper. ~ Stephen Thomas Erlewine, All Music Guide
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Buhloone MindstateArtist: De La Soul
Community Score: 8.40
The last album of De la Soul's creative prime, Buhloone Mindstate was also their last with producer Prince Paul. After the claustrophobic De la Soul Is Dead, Mindstate is a partial return to the upbeat positivity of 3 Feet High and Rising, though not its wildly colorful invention. Instead, Buhloone Mindstate takes a calmer, more laid-back...
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Bring It OnArtist: Ali Dee
Add Ali Dee to the list of rappers successfully exploiting rap/jazz fusion. His cut "Dee Swings Jazz" expertly demonstrates the genres' shared qualities, and his whole release has both a loose, improvisational air and an edgy, combative street vibe. The single "Who's Da Flava" attracted the most attention, but there are other, equally sharp...
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The Nine YardsArtist: Paperboy
Community Score: 6.50
In the late '80s and early '90s, rap invaded the pop music world to the point where many rappers were considered mere pop artists. As a result, the genre produced an abundance of one-hit wonders who failed to reconnect with either rap or pop audiences after their moment of glory. Along with artists like Young MC, Candyman, Domino, and Positive...
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Killer KutsArtist: Kool G Rap & DJ Polo
The unfortunate early-'90s bust-up between Kool G Rap and DJ Polo cleaved one of the finest rap duos of all time. Leaving behind a trio of fine LPs -- the raw Road to the Riches, the refined Wanted: Dead or Alive, and the underrated Live and Let Die (the latter unfortunately gaining more notice for the provocative cover than the content) -- the...
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