Webster is at her full bayou-bred boogie-blues best here, when she was the queen of south Louisiana's swamp sessioneers. Webster's own late-'50s/early-'60s output for producer J.D. Miller was no less captivating; her self-named dance number "The Katie Lee" and "Mama Don't Allow" that uproots the... [+] Expand

Webster is at her full bayou-bred boogie-blues best here, when she was the queen of south Louisiana's swamp sessioneers. Webster's own late-'50s/early-'60s output for producer J.D. Miller was no less captivating; her self-named dance number "The Katie Lee" and "Mama Don't Allow" that uproots the Gary U.S. Bonds party vibe to New Orleans are two of the best items on the 20-track disc. There's also her blues-drenched "No Bread, No Meat" and a nice version of "Sea of Love" (Webster added the gently rolling piano to Phil Phillips's original hit). ~ Bill Dahl, All Music Guide [-] Collapse

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