Sleeping with the EnemyArtist: Paris
Community Score: 6.00
The Devil Made Me Do It established Paris as a pro-black radical, a firebrand. The follow-up, 1992's Sleeping With the Enemy, saw the MC unleash his most provocative rhymes to such an extent that WEA, Tommy Boy's distributor at the time, opted to have no part in it. This forced Paris to reactivate his Scarface imprint; it delayed the album's...
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Street LevelArtist: The Beatnuts
Community Score: 8.13
The Beatnuts' first full-length album is as pure a document of raw, hardcore hip-hop circa 1994 as is possible to get. No pop hooks, no slick production, no ballads or lyrics about money and girls. The individual cuts don't really stand out, instead flowing seamlessly into a powerful whole. It's almost a period piece, given the way that hip-hop...
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Creep Wit' MeArtist: Ill Al Skratch
Community Score: 10.00
Enter the Wu-Tang (36 Chambers)Artist: Wu-Tang Clan
Community Score: 8.76
Midnight MaraudersArtist: A Tribe Called Quest
Community Score: 8.33
Though the abstract rappers finally betrayed a few commercial ambitions for Midnight Marauders, the happy result was a smart, hooky record that may not have furthered the jazz-rap fusions of The Low End Theory, but did merge Tribe-style intelligence and reflection with some of the most inviting grooves heard on any early-'90s rap record. The...
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Bring It OnArtist: Ali Dee
Add Ali Dee to the list of rappers successfully exploiting rap/jazz fusion. His cut "Dee Swings Jazz" expertly demonstrates the genres' shared qualities, and his whole release has both a loose, improvisational air and an edgy, combative street vibe. The single "Who's Da Flava" attracted the most attention, but there are other, equally sharp...
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The Nine YardsArtist: Paperboy
Community Score: 6.50
In the late '80s and early '90s, rap invaded the pop music world to the point where many rappers were considered mere pop artists. As a result, the genre produced an abundance of one-hit wonders who failed to reconnect with either rap or pop audiences after their moment of glory. Along with artists like Young MC, Candyman, Domino, and Positive...
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Black Mafia LifeArtist: Above the Law
Community Score: 7.80
Above the Law's second album had three things working against it. One: over two years had passed since their debut (unless you factor 1991's Vocally Pimpin' EP), which certainly left many with the impression that they were no longer. Two: they had to follow up a strong Dr. Dre-produced debut with in-house production. Three: it was nearly half an...
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Prose CombatArtist: MC Solaar
Community Score: 8.00
After his high-profile duet with Guru on the first Jazzmatazz project, French rapper MC Solaar proved himself a major contender for international rap stardom with his U.S. debut. With the rapid-fire rhyme flow of Souls of Mischief and the smooth delivery of Q-Tip, the young MC conveys more moods in French than most rappers can in English. The...
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