Critic's Review
John Storm Roberts, All Music Guide
LaVoe and Willie Colon came blazing out of the bugalu era and wrote a new script for New York salsa during the late '60s and early '70s: a script that included Puerto Rican and Panamanian graftings on the basic Cuban scion, and a tough lyricism that spoke of "barrio" problems to a "barrio audience". Then the pair split, and eventually Ruben Blades filled LaVoe's place in the Colon band's developing persona. Now -- for this album at least -- LaVoe and Colon are back together with that fat, macho trombone sound and the old width of reference (including a splendid plena, "En el Fiando.")
