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The Stone Roses
Users Say
37 ratings
Album Reviews: 7
Album: The Stone Roses
Artist: The Stone Roses
Genre: Rock/Pop

Since the Stone Roses were the nominal leaders of Britain's "Madchester" scene -- an indie rock phenomenon that fused guitar pop with drug-fueled rave and dance culture -- it's rather ironic that their eponymous debut only hints at dance music. What made the Stone Roses important was how they... [+] Expand

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Recent User Reviews

The Resurrection of Music
FULL REVIEW
posted Apr 13, 2005
crowdermp31 person agrees
life changing...
FULL REVIEW
posted Feb 8, 2006
A must have C.D
FULL REVIEW
posted Jun 17, 2005
A must have C.D
FULL REVIEW
posted Jun 17, 2005
So good its untrue....makes you want to sway like ian brown does in the videos
FULL REVIEW
posted May 30, 2006
Listen to this album every day,let the sound wash over you,adore this album,you will never hear one with as many classic tunes on,the soundtrack to the rebirth of guitar music,of cool singers,of drug fuelled mayhem!
FULL REVIEW
posted Dec 22, 2005
one of the best albums ever
FULL REVIEW
posted Jan 9, 2007

Critic's Review

5.0 out of 5 stars Stephen Thomas Erlewine, All Music Guide
Since the Stone Roses were the nominal leaders of Britain's "Madchester" scene -- an indie rock phenomenon that fused guitar pop with drug-fueled rave and dance culture -- it's rather ironic that their eponymous debut only hints at dance music. What made the Stone Roses important was how they welcomed dance and pop together, treating them as if they were the same beast. Equally important was the Roses' cool, detached arrogance, which was personified by Ian Brown's nonchalant vocals. Brown's effortless malevolence is brought to life with songs that equal both his sentiments and his voice -- "I Wanna Be Adored," with its creeping bassline and waves of cool guitar hooks, doesn't demand adoration, it just expects it. Similarly, Brown can claim "I Am the Resurrection" and lie back, as if there were no room for debate. But the key to The Stone Roses is John Squire's layers of simple, exceedingly catchy hooks and how the rhythm section of Reni and Mani always imply dance rhythms without overtly going into the disco. On "She Bangs the Drums" and "Elephant Stone," the hooks wind into the rhythm inseparably -- the '60s hooks and the rolling beats manage to convey the colorful, neo-psychedelic world of acid house. Squire's riffs are bright and catchy, recalling the British Invasion while suggesting the future with their phased, echoey effects. The Stone Roses was a two-fold revolution -- it brought dance music to an audience that was previously obsessed with droning guitars, while it revived the concept of classic pop songwriting, and the repercussions of its achievement could be heard throughout the '90s, even if the Stone Roses could never achieve this level of achievement again.
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