The Nine Yards
Artist: Paperboy
Community Score: 6.50

In the late '80s and early '90s, rap invaded the pop music world to the point where many rappers were considered mere pop artists. As a result, the genre produced an abundance of one-hit wonders who failed to reconnect with either rap or pop audiences after their moment of glory. Along with artists like Young MC, Candyman, Domino, and Positive... Read More

Hard to Earn
Artist: Gang Starr
Community Score: 7.89

Gang Starr came out hard on their 1994 album, Hard to Earn, an album notably different from its two predecessors: Step in the Arena (1991) and Daily Operation (1992). While those two classic albums garnered tremendous praise for their thoughtful lyrics and jazzy beats, Hard to Earn seems much more reactionary, especially its lyrics. Guru opens... Read More

Hand on the Torch
Artist: Us3
Community Score: 5.60

Hip-hop/jazz fusionisters Us3 have forged the most elaborate union between the styles since the early days of Gang Starr and A Tribe Called Quest. Blue Note's vast catalog gives them a huge advantage over several similar groups in terms of source material, and classic sounds by Art Blakey, Horace Silver, and Herbie Hancock provide zest and fiber... Read More

Black Business
Artist: Poor Righteous Teachers

The Poor Righteous Teachers offered more Islamic and Afrocentric raps on this album, sometimes becoming overly pedantic, but also keeping the raps and rhymes flowing and the beats moving. Their material's propagandistic tone was offset to some extent by the use of reggae and funk influences, but few groups are more open about their religious and... Read More

Midnight Marauders
Artist: A Tribe Called Quest
Community Score: 8.33

Though the abstract rappers finally betrayed a few commercial ambitions for Midnight Marauders, the happy result was a smart, hooky record that may not have furthered the jazz-rap fusions of The Low End Theory, but did merge Tribe-style intelligence and reflection with some of the most inviting grooves heard on any early-'90s rap record. The... Read More

Buhloone Mindstate
Artist: De La Soul
Community Score: 8.40

The last album of De la Soul's creative prime, Buhloone Mindstate was also their last with producer Prince Paul. After the claustrophobic De la Soul Is Dead, Mindstate is a partial return to the upbeat positivity of 3 Feet High and Rising, though not its wildly colorful invention. Instead, Buhloone Mindstate takes a calmer, more laid-back... Read More

Inner City Griots
Artist: Freestyle Fellowship
Community Score: 9.23

Freestyle Fellowship emerged on the L.A. rap scene during the early '90s. Given the chance to hone its skills at a health-food store's open-mic nights, the group quickly earned the attention and respect of the city's hip-hop underground. Their second album, 1993's Inner City Griots, is the only completely collaborative album released during the... Read More

Bring It On
Artist: Ali Dee

Add Ali Dee to the list of rappers successfully exploiting rap/jazz fusion. His cut "Dee Swings Jazz" expertly demonstrates the genres' shared qualities, and his whole release has both a loose, improvisational air and an edgy, combative street vibe. The single "Who's Da Flava" attracted the most attention, but there are other, equally sharp... Read More

Creep Wit' Me
Artist: Ill Al Skratch
Community Score: 10.00