Eat to the Beat
Artist: Blondie
Community Score: 8.62

Just as Blondie's second album, Plastic Letters, was a pale imitation of their self-titled debut, Eat to the Beat, their fourth album, was a secondhand version of their breakthrough third album, Parallel Lines: one step forward, half a step back. There was an attempt, on such songs as "The Hardest Part" and "Atomic," to recreate the rock/disco... Read More

Tourists
Artist: The Tourists

The Tourists were a typical British post-punk power-pop group by the evidence of their U.K.-only debut album, The Tourists. Chiming guitars, quickstep martial beats (sometimes borrowing from Bo Diddley or the Ronettes), and the odd rude or belligerent remark ("Nothing means nothing to me," snarled in the first single, "Blind Among the Flowers")... Read More

Cool for Cats
Artist: Squeeze
Community Score: 9.00

After the false start of their debut, Squeeze recast themselves as a quintessentially British band, packing the songs with exaggerated accents, British slang, and incorporating a nearly cinematic narrative style to make incisive observations on British working-class life with a sly, skewed wit and a sex-obsessed thematic undercurrent. Musically,... Read More

Indiscreet
Artist: Sparks

In the '70s and '80s, Sparks' American fans couldn't understand why the Mael Brothers weren't as big in the United States as they were in England. "Why don't more of our fellow Americans realize just how great these guys are?" was the question that Sparks addicts in the U.S. often found themselves asking. Whatever the reason, British audiences... Read More

Big Beat
Artist: Sparks

Most of this album finds Sparks doing what they do best: spewing out clever, mile-a-minute lyrics over solid-rocking accompaniment (this time, provided by a superior group of studio musicians). Drummer Hilly Michaels and guitarist Jeffrey Salen lend the Mael brothers' songs considerable rock & roll authority. Standouts include the opening blast,... Read More

Outlandos d'Amour
Artist: The Police
Community Score: 8.38

While their subsequent chart-topping albums would contain far more ambitious songwriting and musicianship, the Police's 1978 debut, Outlandos d'Amour (translation: Outlaws of Love) is by far their most direct and straightforward release. Although Sting, Andy Summers, and Stewart Copeland were all superb instrumentalists with jazz... Read More

Look Sharp!
Artist: Joe Jackson
Community Score: 9.00

A brilliant, accomplished debut, Look Sharp! established Joe Jackson as part of that camp of angry, intelligent young new wavers (i.e., Elvis Costello, Graham Parker) who approached pop music with the sardonic attitude and tense, aggressive energy of punk. Not as indebted to pub rock as Parker and Costello, and much more lyrically... Read More

I'm the Man
Artist: Joe Jackson

Despite Jackson's anxious demeanor and shaky pop/rock presence, I'm the Man holds together quite well as his second attempt. Reaching number 12 in the U.K. and a respectable number 22 in the U.S., the album managed to net him a number five hit in his homeland with the insightful "It's Different for Girls," which revealed Jackson's adeptness at... Read More

The Cars
Artist: The Cars
Community Score: 8.26

The Cars' 1978 self-titled debut, issued on the Elektra label, is a genuine rock masterpiece. The band jokingly referred to the album as their "true greatest-hits album," but it's no exaggeration -- all nine tracks are new wave/rock classics, still in rotation on rock radio. Whereas most bands of the late '70s embraced either punk/new wave or... Read More

Life in the Foodchain
Artist: Tonio K.
Community Score: 8.50

One of the best things about the late-'70s punk rock explosion is that it changed the rules for pop musicians across the board, and while Tonio K. wasn't a for-real punk rocker (or even really new wave), there's no way he could have made an album as willfully strange and bitterly witty as Life in the Foodchain without Elvis Costello or Johnny... Read More