Jon Hendricks, the genius of vocalese (writing words to fit the recorded solos of jazz greats) has long been one of the top lyricists in music. However the emphasis during the first seven songs of this live CD is on scatting and heated bop-oriented improvising. Hendricks, assisted by Michelle... [+] Expand

Jon Hendricks, the genius of vocalese (writing words to fit the recorded solos of jazz greats) has long been one of the top lyricists in music. However the emphasis during the first seven songs of this live CD is on scatting and heated bop-oriented improvising. Hendricks, assisted by Michelle Hendricks, is joined by quite an all-star horn section: trumpeter Wynton Marsalis, trombonist Al Grey, altoist Red Holloway and tenor Benny Golson in addition to a supportive four-piece rhythm section. After a warmup on "Get Me to the Church on Time," Jon Hendricks sings some humorous lyrics on "Do You Call That a Buddy," swings hard on his original boppish "Good Ol' Lady" and gets a bit lowdown on "Contemporary Blues." The biggest surprise of the date is "Everybody's Boppin"' which features scatting by Jon Hendricks, Michele Henricks and Wynton Marsalis. Wynton is quite effective and typically virtuosic in a manner similar to Dizzy Gillespie. Michele is excellent on an uptempo "Almost Like Being in Love" and "Since I Fell for You," Jon sings the blues on "Roll 'Em Pete" and, together with Kevin Burke and Judith, Michele and Aria Hendricks, performs vocalese versions of three Count Basie charts long ago recorded by Lambert, Hendricks And Ross: recreations of recreations. This is Jon Hendricks's best all-round recording in several years and was one of the finest jazz vocal albums to be released in 1995. ~ Scott Yanow, All Music Guide [-] Collapse

• songs
• similar
• videos
• eyeviews
• reviews
• download directory