Something Gonna Jump out the BushesArtist: Nappy Brown
Ultra-solid support from guitarists Anson Funderburgh, Eugene Ross, Ronnie Earl, and Earl King and Black Top's superb house horn section make this Dallas-cut set Brown's best contemporary album to date. His lusty shouting style works well on covers of the Dominoes' "Have Mercy Baby," the "5" Royales' title track, a pair of Earl King-penned...
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Red LightsArtist: Greg Piccolo & Heavy Juice
Former Roomful of Blues saxophonist Greg Piccolo stretches his musical wings even further on this, his third solo outing since leaving the group in 1990. In addition to his brawny tenor sax wailings, Piccolo also plays lead guitar (in a crude, but effective style somewhat reminiscent of Roy Buchanan and Carlos Santana) and alto sax this time...
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Women, Whiskey & Fish TailsArtist: Wynonie Harris
Ace's Women, Whiskey & Fish Tails spotlights some of the famous blues-shouter's latter-day work (1952-1957) for independent R&B label King. Now joined by Ace's '50s-centric Harris survey, Lovin' Machine, this 21-track disc takes the somewhat more obscure path through the catalog, substituting the still-electric likes of "Greyhound" and "Drinkin'...
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Complete Aladdin RecordingsArtist: Floyd Dixon
It's a matter of opinion as to whether Dixon's Aladdin output was his peak; many would give his Specialty sides (available on the Marshall Texas Is My Home compilation) the nod. Still, his late-'40s and early-'50s work for the label included some of his most popular and best tracks, such as "Wine, Wine, Wine," "Call Operator 210," "Tired, Broke...
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Acid BlueArtist: Greg Piccolo & Heavy Juice
The Complete OKeh Sessions 1952-55Artist: Big Maybelle
Maybelle's entire OKeh output -- 26 tracks -- including her three R&B chart items, "Whole Lotta Shakin' Goin' On," and the risqué slow blues "I'm Getting 'Long Alright." "Gabbin' Blues," her 1952 OKeh debut smash, is a humorous dialogue between Maybelle and gossiping rival Rosemarie McCoy, the tune's co-writer. Maybelle was no mere copyist; her...
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Big, Bad & Blue: The Big Joe Turner AnthologyArtist: Big Joe Turner
This three-record anthology shows how Turner, without really ever changing his style, moved from strict Kansas City swing to pioneering rock & roll and back to basic jazzy blues. It contains 62 songs, everything from treasured hits to slow, sweltering ballads, strident up-tempo wailers, moaning blues, novelty tunes, and fiery pieces with lyrics...
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Roy Milton & His Solid SendersArtist: Roy Milton
Certainly this is the place to go for Milton's most popular and influential material -- a whopping 18 of the 25 cuts made the R&B Top Ten in the late '40s and early '50s. These include such classics as "R.M. Blues," "The Hucklebuck," and "Hop, Skip & Jump" (given a great rockabilly treatment in the 1950s by the Collins Kids). All of the tracks...
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Groovy Blues, Vol. 2Artist: Roy Milton & His Solid Senders
The rarities and unissued material begin to pop up on Vol. 2, making it even more of a feast for collectors. Milton's Solid Senders, featuring pianist/singer Camille Howard, guitarist Johnny Rogers, and a crew of roaring saxmen, were one of the tightest and most respected on the Coast. ~ Bill Dahl, All Music Guide
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Good Rockin' Tonight - KINGArtist: Wynonie Harris
This compilation of the ribold shouter's blasting jump blues classics for King is essential. ~ Bill Dahl, All Music Guide
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Goin' Down Slow (Blues, Soul & Early R 'n' R, Vol. 14)Artist: Billy Wright
Crying and pleading the blues, Wright's early-'50s Savoy output was very influential. ~ Bill Dahl, All Music Guide
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Big Joe Turner's Greatest HitsArtist: Big Joe Turner
Big Joe Turner's music is the aural equivalent of a rare Porterhouse steak -- oversized, juicy, and a glorious overload for the senses, and if isn't always good for you, that's just part of the fun. Whether what he was singing was billed as jazz, swing, rhythm & blues, or rock & roll, Turner pretty much always did things the same way, rolling...
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1945-1947Artist: Wynonie Harris
The second Classics CD to feature blues singer Wynonie Harris' recordings as a leader finds him in the period right before he signed with the King label. The five four-song sessions on this disc (all quite jazz oriented) were cut for Hamp-Tone, Bullet, and Aladdin. First, Harris (who sounds quite enthusiastic in every setting) sings three...
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