Dirt Track DateArtist: Southern Culture on the Skids
After spending the first half of the 1990s as one of America's hardest-working independent bands, Southern Culture on the Skids took the bait and signed with a major label in 1995, releasing its fifth album, Dirt Track Date, on Geffen/DGC that year. Dirt Track Date proved to be something of a disappointment for the group's hardcore fans; nearly...
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Fun Trick NoisemakerArtist: The Apples in Stereo
Community Score: 7.40
One of the defining albums of the mid-'90s indie scene, the Apples in Stereo's full-length debut is one of those records that marks a sea change in musical attitudes, akin to Mudhoney's "Touch Me I'm Sick" or Pavement's early singles. Besides being the breakthrough release of the Elephant 6 collective, which alone is responsible for many of the...
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Truth Walks in Sleepy ShadowsArtist: S.F. Seals
The second and final album by S.F. Seals is really a Barbara Manning solo album in all but name. Although the group started as a collaboration between Manning and drummer/vocalist Melanie Clarin, Clarin is reduced to a supporting role here, with no solo songwriting credits of her own and only one lead vocal, on the brooding Manning composition...
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Happily Ever AfterArtist: The Rose Chronicles
Community Score: 8.10
Fever In Fever OutArtist: Luscious Jackson
Community Score: 8.00
For all of its sunny eclecticism, Natural Ingredients lacked the darkly funky urban soundscapes that made In Search of Manny so engaging. Fever In Fever Out brings that dark funkiness while keeping the pop hooks that made Natural Ingredients a step forward. Producer Daniel Lanois keeps his ambient tendencies to a minimum, providing just enough...
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Stars on ESPArtist: His Name Is Alive
As usual, Michigan-based sonic envelope-pushers His Name Is Alive continue to boggle expectations with their beautiful, exciting music. On their fourth album for 4AD, Stars on ESP, the group mixes dub, dream pop, surf, country, and Pet Sounds-era Beach Boys into something altogether unique. The songs range from the deceptively simple, folky...
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To See the LightsArtist: Gene
The easy joke is, To See the Lights is Gene's Hatful of Hollow. True, the album is a collection of B-sides, non-album singles, radio sessions, and live tracks but, like the Smiths' Hatful of Hollow before it, the album illustrates the band's strengths more effectively than their debut album, Olympian. Several of Gene's greatest songs, including...
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Toward the Unknown RegionArtist: Torch Song
Torch Song's Toward the Unknown continues their series of intriguing blendings of electronic textures and acoustic foundations that recall the more experimental new age artists. It's not music that appeals to a broad spectrum of listeners, but those that want to immerse themselves in the layers of sound will find something of interest. ~ Sara...
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Growing UpArtist: Hi-Standard
Just because that Fat Wreck Chords sound of slap happy, galloping pop-punk has been overdone doesn't mean that it gets stale; it all just depends on how a band can make this genre fun again. Take Hi-Standard for example, sure they epitomize on the Fat sterotype-except for the whole being from Japan part- but it's just so hard not to crank...
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Intoxicated ManArtist: Mick Harvey
Community Score: 8.00
Intoxicated Man is the first of Mick Harvey's tributes to French singer/songwriter Serge Gainsbourg. Released at a time when the icon was largely unknown outside his home country, the album offers 16 English translations. Years spent in a supporting role with Nick Cave & the Bad Seeds taught Harvey the importance of yielding to the song. Whether...
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311Artist: 311
Community Score: 7.41
It is the seamless way the songs on the eponymously titled 311 combine the band's influences into a potent blend of rap, funk, and rock that renders this album a cut above those of their competitors. These riff-heavy and radio-ready songs are underscored by a tight drum sound (often with a piccolo snare), the scratching of turntables, and the...
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The Shadow of Your SmileArtist: Friends of Dean Martinez
A post-modern fusion of Santo & Johnny, Dick Dale and the Ventures, with a heaping side order of Tex-Mex border music. Whether or not the musicians are playing this straight or not, they're playing it very well, and the result is good fun, even if it's totally uncharacteristic of the material offered by the Giant Sand/Naked Prey axis in the...
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Happy FeetArtist: 8½ Souvenirs
Community Score: 7.00