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Monkey Business
Users Say
312 ratings
Album Reviews: 24
Album: Monkey Business
Artist: Black Eyed Peas
Release Date: 6/7/2005
Genre: Hip-Hop

Hip-hop artists with commercial aspirations need never appear pandering to their audience, since a tough, defiant stance -- aka keeping it real -- is exactly what will draw in most crossover listeners anyway. Nevertheless, the Black Eyed Peas quickly embraced the pop world after the surprising... [+] Expand

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Monkey Business by Black Eyed Peas!

Recent User Reviews

LPsoldier3011 person agrees
Unoriginal
FULL REVIEW
posted Jun 8, 2005
posted May 21, 2005
musicmaker4041 person agrees
Lots of good times
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posted Jul 10, 2005
strumfi4 people agree
it's great
FULL REVIEW
posted Apr 22, 2005
The album "Monkey Business" has got to be the album of the year. It has the coolest fifteen songs inside it.
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posted Dec 13, 2005
The Best
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posted Oct 1, 2005
The Black Eyed Peas showed their talent to the world in their album Elephunk and Mokey Business just proves how great they really are.
FULL REVIEW
posted Jul 10, 2006
yankeegamer241 person agrees
The first half of the cd was amazing with song after song that are total hits. The problem is, with a few exceptions the last part falls flat.
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posted Mar 8, 2006
posted Aug 26, 2005
Fergie. That Baby Got Back!!!
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posted Oct 23, 2005

Critic's Review

2.0 out of 5 stars John Bush, All Music Guide
Hip-hop artists with commercial aspirations need never appear pandering to their audience, since a tough, defiant stance -- aka keeping it real -- is exactly what will draw in most crossover listeners anyway. Nevertheless, the Black Eyed Peas quickly embraced the pop world after the surprising success of third album Elephunk, and only continued their repositioning as a mainstream act with 2005's Monkey Business. That focus is immediately clear on the opener, "Pump It Up," where they gladly welcome listeners on a track whose sample -- Dick Dale's "Misirlou," already ubiquitous before it appeared in Pulp Fiction -- has to replace "I'll Be Missing You" or "Walk This Way" as the most conspicuous case of an unmissable rock riff being used on a rap track. With the Wal-Mart audience safely in tow, the group moves on to motivate its hip-hop base by reaching for every trick in the grab bag of contemporary urban music. "Disco Club" is a serviceable re-creation of Cassidy's "Hotel," and the group's newest member, Fergie, tucks into the hyper-sexual Kelis/Ciara archetype on "My Humps." Unlike Elephunk, the Justin Timberlake feature here ("My Style") is placed early in the program, and it's bolstered by a Timbaland production. Most of the tracks on Monkey Business are the same type of party rap singalongs that Black Eyed Peas made their name with in the past. Other than "Disco Club," the best is "Feel It," a rare production by the group's apl.de.ap that has the streamlined sound and detailed production of the hits off Elephunk. At the very tail end of the disc, where Timblerlake was slotted previously, there's one brief glance at their socially conscious past -- "Union," featuring Sting and Branford Marsalis, which floats the usual bromides about peace and equality. Monkey Business might sell just as well, or better, than Elephunk, but what the group made sound effortless in the past sounds labored and canned here.
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