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PCD
Users Say
460 ratings
Album Reviews: 21
Album: PCD
Artist: Pussycat Dolls
Release Date: 9/13/1995
Genre: Rock/Pop
Tags: indie, dance, sexy, jazz, ash, utter shite, nicole scherzinger

There's a kind of beautifully perverse brilliance to the Pussycat Dolls. Not only are they a sextet who got their start as neo-burlesque dancers in Los Angeles, but they make no bones about being a gleefully manufactured dance-pop act. Open the booklet for their 2005 debut, PCD, and their... [+] Expand

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Recent User Reviews

posted May 14, 2006
Redcoffee15 people agree
Some one tell me wtf is this
FULL REVIEW
posted Sep 17, 2005
taytaymac881 person agrees
i freggen love beep!!!!!
FULL REVIEW
posted Jun 1, 2006
eyazrie4 people agree
sexiiii!!!!
FULL REVIEW
posted Sep 2, 2005
I love the PCD!
FULL REVIEW
posted Nov 8, 2005
posted Nov 9, 2005
Great Combination
FULL REVIEW
posted Nov 29, 2005
AWESOME!!
FULL REVIEW
posted Dec 26, 2005
a fantastic CD, wide variety of style a very nice suprise to have virtually every song be able to stand alone. Waiting for more videos to be produced. Besides the lead singer fantastic voice, she is stuningly beautiful.
FULL REVIEW
posted Feb 19, 2006
If I heard this one more time...
I will love it.

FULL REVIEW
posted Jan 8, 2006

Critic's Review

3.0 out of 5 stars Stephen Thomas Erlewine, All Music Guide
There's a kind of beautifully perverse brilliance to the Pussycat Dolls. Not only are they a sextet who got their start as neo-burlesque dancers in Los Angeles, but they make no bones about being a gleefully manufactured dance-pop act. Open the booklet for their 2005 debut, PCD, and their artificiality is made clear: the first page reads "All lead and background vocals by Nicole Scherzinger," a former member of Eden's Crush, the failed prefab teen pop group assembled on the WB's pre-American Idol reality music show Popstars. There is no pretense that Kimberly, Carmit, Ashley, Melody, and Jessica are there for anything besides filling out the illusion that this is a real performing musical group and providing some serious eye candy for a group that is all about the visuals. The great thing about PCD is that the producers and songwriters behind the album -- and, since this is a big-budget urban dance-pop album in the mid-2000s, there are many credited writers and producers -- are eager to play with the Pussycat Dolls' hyper-sexual image, creating a sleek, sexy sound ideal for both nightclubs and strip joints across this great land. And, at least at first, the songs are about how irresistibly sexy the Pussycat Dolls are, starting with the genius hit single "Don't Cha," where Nicole and the rest of the Pussycats strut around, taunting a hapless man with such come-ons as "Don't cha wish your girlfriend was hot like me/Don't cha wish your girlfriend was a freak like me." There has never been a sex song quite as knowingly ironic yet undeniably sexy as this, and for a while the album keeps the momentum up, first with will.i.am's "Beep," a rewrite of Black Eyed Peas' "My Humps," except this is funny, not embarrassing, and since Nicole is sexier than the Peas' Fergie, it's also sultrier. Timbaland's "Wait a Minute" is in the same vein and, for a brief moment, it seems like PCD will be that rare thing: a mainstream club/dance album devoted to nothing but dance songs. Then, reality comes crashing in with the fourth song, "Stickwitu," the inevitable romantic slow jam whose sappiness undercuts the joyous carnal celebration of the first three songs. Although the rest of the album has more dance tunes than ballads -- and some catchy ones, too, like Beyoncé-styled "I Don't Need a Man" -- the album never quite recovers, since the fantasy of a girl group that's only it for the sex, not love, has been ruined. Since that fantasy is the very reason the Pussycat Dolls exist as either a dance troupe or a pop group, it's a bit of a disappointment, but PCD is still worthwhile because there enough good cuts to make it a fun soundtrack to parties or strip clubs, even if there aren't quite enough to make this the camp classic that the beginning of the album suggests it could have been.
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