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The Dutchess
Users Say
93 ratings
Album Reviews: 7

Through all the twists and turns taken by Stacy "Fergie" Ferguson during her 20-year career as an entertainer -- including a stint on Kids Incorporated, background vocals for Martika, two albums with adult contemporary/dance-pop group Wild Orchid, and superstardom with Black Eyed Peas -- she has... [+] Expand

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The Dutchess by Fergie!

Recent User Reviews

The best album.and the beat sound
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posted Sep 19, 2006
Wonderfull Great!
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posted Oct 24, 2006
She's Glamorous, She's Fergalicious, She's A Big Girl!
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posted Jul 18, 2007
Fergie truly outdid herself with this album. Her song All That I Got and Clumsy have to be two of my favorites.
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posted Oct 3, 2006
This album is gr8'
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posted Jan 22, 2007
\"The best track is “Glamorous (Feat Ludacris)” and probably the only track I really enjoy, although I was enjoying “Mary Jane Shoes (Feat Rita Marley and the I-Threes)” until the tempo change into Rock/Punk which ruins the song. So then I changed the s
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posted Oct 2, 2006
i like her songs very much
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posted Jul 28, 2007

Critic's Review

0.0 out of 5 stars Andy Kellman, All Music Guide
Through all the twists and turns taken by Stacy "Fergie" Ferguson during her 20-year career as an entertainer -- including a stint on Kids Incorporated, background vocals for Martika, two albums with adult contemporary/dance-pop group Wild Orchid, and superstardom with Black Eyed Peas -- she has always sounded as if she is trying really, really hard. That has been the lone consistent characteristic of her output, and it remains in effect throughout The Dutchess. The album has all the characteristics of a release fronted by someone who has been itching to go solo and prove herself, once and for all, as a versatile force all her own. Fergie does cartwheels and handstands, juggles three objects at once, balances books on her head, hangs upside down, rides a unicycle with her hands in the air -- all these things while wearing different outfits. The whole process, produced mostly by fellow Pea will.i.am, is mildly entertaining. There's throwback hip-hop ("Fergalicious," done to the tune of J.J. Fad's "Supersonic"), throwback soul ("Here I Come," done to the tune of the Temptations' "Get Ready"), reggae ("Mary Jane Shoes"), ska-punk ("Mary Jane Shoes"), scat ("Mary Jane Shoes"), vaguely torchy midtempo fluff ("Velvet"), and a classy string-drenched ballad (the appropriately titled "Finally"), among several other passable switch-ups, along with "London Bridge" -- which is terrific, provided you can block out the lyrics or prevent yourself from trying to decipher its meaning. One of the more convincing songs on the album, "Big Girls Don't Cry," sounds exactly like a 2006 version of Wild Orchid, with Fergie's Taylor Dayne kid-sister act in full effect.
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