Critic's Review
William Ruhlmann, All Music Guide
Lindsey Buckingham's second album, like his first, Law and Order, was a triumph of studio wizardry over songwriting craft. Buckingham's work was ear-catching, but once he'd gotten your attention with some gimmicky sound effect or busy arrangement, he had very little to tell you. The exception was the album's most ambitious piece, the closing track, "D.W. Suite," on which Buckingham, always strongly influenced by the Beach Boys, took on what sounded like an elaborate tribute to Beach Boy Dennis Wilson, who died while the album was being made. The title track, which also had massed choral sounds (all made by Buckingham) reminiscent of a Fleetwood Mac track, became a Top 40 hit, but the album lacked the accessibility to make it more than a moderate seller, and at least at this point it appeared that Buckingham's solo albums were going to serve as laboratory experiments in which he tried out new musical ideas before bringing them to greater popular attention through Fleetwood Mac.
