With Bad Timing, O'Rourke attempts a return to the organic atmosphere of acoustic guitar from his explorations in electronica. The album consists of four songs clocking in at roughly ten minutes each, and is characterized by O'Rourke's ambient acoustic exploration. Three of the tracks enlist... [+] Expand

With Bad Timing, O'Rourke attempts a return to the organic atmosphere of acoustic guitar from his explorations in electronica. The album consists of four songs clocking in at roughly ten minutes each, and is characterized by O'Rourke's ambient acoustic exploration. Three of the tracks enlist various instruments from cello to trumpet and even drums. The songs are highly textured and require patience, as they slowly evolve from abstract riffs into clear melodies. The album encompasses a rich dynamic range despite the seeming limitations that acoustic guitar could impose. There is a fair amount of splicing and mixing, which attests to the fact that O'Rourke has not completely dispensed with his passion for electronic music, but these interludes often provide a unique perspective. The highlight of the album is the final track, "Happy Trails," which begins with distorted acoustic noise, followed by an upbeat country rhythm provided by Tortoise's John McEntire. In sum, Bad Timing is a consistent effort and well worth a listen, especially during the mellow early morning hours. ~ Marc Gilman, All Music Guide [-] Collapse

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