Artist: Animal Logic
Community Score: 10.00
Animal Logic is the kind of band that could've existed only in the late '80s -- a cross between fusion, art rock, and album rock, all blended with a slight eye on the charts. Since Stewart Copeland and Stanley Clarke provided the musical backbone of the project, there's little question that the outfit had the potential to be a dynamic...
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T.J. KirkArtist: T.J. Kirk
T.J. Kirk is a guitars/bass/drums quartet whose name reflects a bizarre and wonderful repertoire: they are devoted to the interpretation of works by Thelonious Monk ("T."), James Brown ("J.") and Rahsaan Roland Kirk ("Kirk"). Like Paul Motian's Electric Bebop Band, these four have a solid grounding in both jazz and rock; unlike the Motian band,...
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The Collector's EditionArtist: Mick Karn
Back in '93 I paid about $20 to get in and hear the last few songs by a group called Polytown. I had heard none of their music, but knowledge of the lineup allowed me to make such a spontaneous decision. The Polytowntrio was Terry Bozzio (drums), David Torn (guitar) and on bass, Mick Karn (Japan). I never missed that twenty spot. Two of its...
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OnenessArtist: Jack DeJohnette
Oneness finds Jack DeJohnette in a subtle reflective mood, working with a minimal backing group highlighted by pianist Michael Cain. DeJohnette and Cain turn in a series of dialogues that finds the piano highlighting the statments and improvisations of the percussion. Things are at their noisiest on "Welcome Blessing," a duet with percussionist...
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Golden Wings/Magic TimeArtist: OPA
In 1997, it came as a quite a surprise when Fantasy reissued Opa's albums Golden Wings (1976) and Magic Time (1977) on a single 74-minute CD -- surprising because the Brazilian fusion trio had only a very small following; its albums were far from big sellers, and the original LP versions were in print for only a few years. If one notices some...
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The CollectionArtist: David Torn
High BiasArtist: Niacin
Niacin showed a great deal of promise on its self-titled debut album of 1996, and there were no signs of the infamous sophomore slump on the fusion trio's second album, High Bias. Recalling the 1970s experiments of John McLaughlin's Mahavishnu Orchestra, Return to Forever and the Billy Cobham/George Duke Band, this exciting CD served as a...
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