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From the Choirgirl Hotel
Users Say
23 ratings
Album Reviews: 3
Album: From the Choirgirl Hotel
Artist: Tori Amos
Release Date: 5/5/1998
Genre: Rock/Pop

Shortly before she began work on From the Choirgirl Hotel, Tori Amos suffered a miscarriage. While she was recording the album, she married her long-term boyfriend. As expected, both events cryptically wind their way into the album, which arguably has Amos' most personal lyrics since Little... [+] Expand

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From the Choirgirl Hotel by Tori Amos!

Recent User Reviews

russell21301 person agrees
Tori ROCKS!! I dosen\'t matter if you know the lyrics, her style is just as important as her message. The album \"Chiorgirl Hotel\" displays a mastery of all that the studio has to offer...24 track recording, and all the over-dubbing makes this a c
FULL REVIEW
posted Dec 20, 2005
kancerigena1 person agrees
I just can say that i love it
FULL REVIEW
posted Feb 2, 2007
Perfection anyone?
FULL REVIEW
posted May 9, 2007

Critic's Review

4.0 out of 5 stars Stephen Thomas Erlewine, All Music Guide
Shortly before she began work on From the Choirgirl Hotel, Tori Amos suffered a miscarriage. While she was recording the album, she married her long-term boyfriend. As expected, both events cryptically wind their way into the album, which arguably has Amos' most personal lyrics since Little Earthquakes. The surprise is, From the Choirgirl Hotel is considerably more accessible than its immediate predecessor, Boys for Pele. Tori has opened up her sound by working live with a full band, bringing an immediacy to her sound that has never been heard before. Added to that are samples and drum loops, ballads supported by eerie, sweeping strings and heavy guitars -- everything she played with on Pele has come to fruition here. All the while, she's kept the perversely cryptic, convoluted lyrics that have always marked her work, yet the lines that connect have more power and savage wit than ever. Besides, Amos' songs have an interior logic of their own. Until now, it seemed that she could only deliver them on her own, supported by her piano, a guitar, or strings. With From the Choirgirl Hotel, she proves that with a little aural experimentation and muscle, she's as potent and powerful as any modern rock artist.
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