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The Best of the Lemonheads: The Atlantic Years
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Album: The Best of the Lemonheads: The Atlantic Years
Artist: The Lemonheads
Release Date: 7/14/1998
Genre: Rock/Pop

Evan Dando -- for all intents and purposes, he is the Lemonheads -- is a sporadically brilliant songwriter. Every one of his albums contains as many flops as masterpieces, sometimes more. Hardcore fans have learned to live with this and even cherish his dopey detours, but there are many... [+] Expand

Stray Stray
Artist: Aztec Camera
Community Score: 8.00

A welcome comeback after the flaccid dance-pop of 1987's insipid Love, Stray is among Roddy Frame's most assured and diverse collections of songs. Unlike previous Aztec Camera albums, there's not one unifying style to the disc, and the variety makes Stray one of Frame's better collections. From the assured rocking pop of the singles "The Crying... Read More

What Makes It Go? What Makes It Go?
Artist: Komeda
Community Score: 10.00

Komeda are a Swedish quartet who give us quirky, danceable ditties with memorable melodies. Funky electronics, basslines, and mesmerizing rhythms roll along by playing off one another. There exists a '60s flair with added horns, analog synths, and acoustic guitars that pound out rhythms. Maybe, a Stereolab reference could by placed with the... Read More

Left of the Middle Left of the Middle
Artist: Natalie Imbruglia
Community Score: 8.17

Expectations for Natalie Imbruglia's debut album, Left of the Middle, were high because of the runaway success of the pre-album single "Torn" during 1997-1998. Fans of the single will be pleased to hear that the album is quite similar in approach and sound to the breakthrough single: laid-back alt-pop with sweetly melodic vocals. Admittedly,... Read More

Epgyptology/Vanity Fair Epgyptology/Vanity Fair
Artist: World Party
Pink Elephants Pink Elephants
Artist: Mick Harvey
Community Score: 6.00

Pink Elephants continues what Mick Harvey began with Intoxicated Man -- it's the second collection of Serge Gainsbourg covers that the Bad Seeds guitarist has recorded. This time around, he concentrates on lesser-known songs like like "Manon," "Comic Strip," "The Ballad of Melody Nelson" and "Hotel Specific" and while the results aren't as... Read More

Shaken & Stirred Shaken & Stirred
Artist: David Arnold

David Arnold, the composer of the Independence Day soundtrack, assembled a talented roster of musicians for his James Bond project. The tracks include the most famous themes from the super spy series, including "Moonraker," "Diamonds Are Forever," and "Nobody Does It Better." The covers by the Propellerheads, Leftfield, Pulp's Jarvis Cocker, and... Read More

Retrospective Retrospective
Artist: Pin Group

Siltbreeze's Retrospective is a re-issued collection of recordings by New Zealand's seminal Pin Group (fronted by Roy Montgomery) -- the disc includes the "Ambivalence"/"Columbia" 7" (actually the first single issued on the Flying Nun label), the "Coat"/"Jim" 7", the Pin Group Goes to Town EP, a live cover of War's "Low Rider" and two low-fi... Read More

Egyptology Egyptology
Artist: World Party
Community Score: 7.00

Karl Wallinger defined the ornate, Beatlesque World Party sound on their debut Private Revolution, and he never strayed from that blueprint over the next decade, even if he augmented it with other '60s and '70s pop flourishes. Egyptology finds Wallinger at his most conservative, sticking to the basic late-'60s pop and psychedelia that... Read More

A New Stereophonic Sound Spectacular A New Stereophonic Sound Spectacular
Artist: Hooverphonic
Community Score: 7.91

The Belgian trio Hooverphonic haphazardly tinkers around with ambient pop on its debut album, A New Stereophonic Sound Spectacular. Overall, it's a decent derivation of post-grunge and a healthy sampling of rising trip-hop and ambient electronica during the mid-'90s, so perhaps it's all right for the album itself to experience floppy production.... Read More

Blender Blender
Artist: Murmurs
Community Score: 9.33

Blender is an appropriate title for this CD, because it contains a blend of new material and songs that had already been heard on the Murmurs' 1997 release Pristine Smut. The alternative pop-rock duo probably would have been better off recording nothing but new material, but for those who discovered the Murmurs with Blender, it was quite an... Read More

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