StrayArtist: Aztec Camera
Community Score: 8.00
A welcome comeback after the flaccid dance-pop of 1987's insipid Love, Stray is among Roddy Frame's most assured and diverse collections of songs. Unlike previous Aztec Camera albums, there's not one unifying style to the disc, and the variety makes Stray one of Frame's better collections. From the assured rocking pop of the singles "The Crying...
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What Makes It Go?Artist: Komeda
Community Score: 10.00
Komeda are a Swedish quartet who give us quirky, danceable ditties with memorable melodies. Funky electronics, basslines, and mesmerizing rhythms roll along by playing off one another. There exists a '60s flair with added horns, analog synths, and acoustic guitars that pound out rhythms. Maybe, a Stereolab reference could by placed with the...
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Left of the MiddleArtist: Natalie Imbruglia
Community Score: 8.17
Expectations for Natalie Imbruglia's debut album, Left of the Middle, were high because of the runaway success of the pre-album single "Torn" during 1997-1998. Fans of the single will be pleased to hear that the album is quite similar in approach and sound to the breakthrough single: laid-back alt-pop with sweetly melodic vocals. Admittedly,...
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Epgyptology/Vanity FairArtist: World Party
Pink ElephantsArtist: Mick Harvey
Community Score: 6.00
Pink Elephants continues what Mick Harvey began with Intoxicated Man -- it's the second collection of Serge Gainsbourg covers that the Bad Seeds guitarist has recorded. This time around, he concentrates on lesser-known songs like like "Manon," "Comic Strip," "The Ballad of Melody Nelson" and "Hotel Specific" and while the results aren't as...
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Shaken & StirredArtist: David Arnold
David Arnold, the composer of the Independence Day soundtrack, assembled a talented roster of musicians for his James Bond project. The tracks include the most famous themes from the super spy series, including "Moonraker," "Diamonds Are Forever," and "Nobody Does It Better." The covers by the Propellerheads, Leftfield, Pulp's Jarvis Cocker, and...
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RetrospectiveArtist: Pin Group
Siltbreeze's Retrospective is a re-issued collection of recordings by New Zealand's seminal Pin Group (fronted by Roy Montgomery) -- the disc includes the "Ambivalence"/"Columbia" 7" (actually the first single issued on the Flying Nun label), the "Coat"/"Jim" 7", the Pin Group Goes to Town EP, a live cover of War's "Low Rider" and two low-fi...
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EgyptologyArtist: World Party
Community Score: 7.00
Karl Wallinger defined the ornate, Beatlesque World Party sound on their debut Private Revolution, and he never strayed from that blueprint over the next decade, even if he augmented it with other '60s and '70s pop flourishes. Egyptology finds Wallinger at his most conservative, sticking to the basic late-'60s pop and psychedelia that...
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A New Stereophonic Sound SpectacularArtist: Hooverphonic
Community Score: 7.91
The Belgian trio Hooverphonic haphazardly tinkers around with ambient pop on its debut album, A New Stereophonic Sound Spectacular. Overall, it's a decent derivation of post-grunge and a healthy sampling of rising trip-hop and ambient electronica during the mid-'90s, so perhaps it's all right for the album itself to experience floppy production....
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BlenderArtist: Murmurs
Community Score: 9.33
Blender is an appropriate title for this CD, because it contains a blend of new material and songs that had already been heard on the Murmurs' 1997 release Pristine Smut. The alternative pop-rock duo probably would have been better off recording nothing but new material, but for those who discovered the Murmurs with Blender, it was quite an...
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