Critic's Review
Richie Unterberger, All Music Guide
This compilation of late-'60s demos and alternate takes should not be viewed as being on the same level as their three albums. But when a cult band such as the Nazz only made three LPs, followers hunger for more, and this delivers the goods to satisfy the tastes and curiosities of specialists. A late-'67 demo of "Hello It's Me," close to the released version but less fully produced (particularly in regard to the backing vocals), is the highlight. Otherwise there's another song from the same late-'67 tape ("Crowded"), a mid-'68 demo of "Lemming Song" (a different version of which appeared on their debut album), alternate versions of "Kicks" and "Some People," radio commercials, a slightly different take of "Open My Eyes" (no phase on the guitar), and some alternates of songs from their second and third albums. The differences between these versions and the official ones are not radical, and if listened to for musical value alone rather than historical purposes, the tracks reflect (as does all their work) a confused band. They gravitated between soul-tinged ballads, power pop, and harder psychedelia and blues-rock, rarely coming up with tunes in the same league as their debut "Hello It's Me"/"Open My Eyes" single. If you've gotten this far, you'll also want the "Sydney's Lunchbox"/"It Must Be Everywhere" 45 (also on Distortions), which unearths two previously unheard songs from the late '60s.
