Happy NowhereArtist: Dog's Eye View
Community Score: 8.00
To Corner WoundsArtist: Drunk
The third album from Richmond, Virginia'a Drunk offers a fully realized vision of their signature sound; the record's frequently brilliant songwriting is based around minimally clean, chimy electric guitars, with a rustic Appalachian feel that recalls (but goes much further than) the work of Palace or even Cat Power. The results are...
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In ExtremisArtist: Thinking Plague
Community Score: 10.00
Though it contains material from as early as 1990, In Extremis mostly consists of recordings from 1996 to 1998 with a varied lineup of percussionists and keyboard players. The music skirts the more symphonic end of free jazz and improv, with good contributions from drummer David Kerman and vocalist Deborah Perry. ~ John Bush, All Music Guide
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The Best of R.E.M.Artist: R.E.M.
Community Score: 6.90
Wild Blue YonderArtist: Flat Duo Jets
Check your dictionary. You'll find this disc listed under "raw power." Though the band is here reduced to just guitarist/vocalist Dexter Romweber and drummer Crow, the sound is just as tough as ever. Few bands have so beautifully preserved the spirit of rock & roll, taking it from the '50s straight into the next century. The super-lo-fi...
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StuntArtist: Barenaked Ladies
Community Score: 7.47
By trying to mask their smart-ass humor in a big pop production, the Barenaked Ladies attempt to set themselves up for the big crossover that they nearly achieved with such past singles as "Be My Yoko Ono" and "Brian Wilson." Nothing on Stunt, the group's fourth studio album, is so clearly jokey (although "Alcohol" comes close), but they still...
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The Bottle & Fresh HorsesArtist: Refreshments
Community Score: 6.00
For their second album, Bottle & Fresh Horses, the Refreshments wisely decided to move away from the smirk-rock that made their debut Fizzy, Fuzzy, Big & Buzzy a minor post-grunge hit. With the assistence of producer Paul Leary (Butthole Surfers), the Refreshments have strengthened their sound, adding layers of guitars and muscular beats. Their...
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Seen a GhostArtist: Honeydogs
Like their pair of indie records, the Honeydogs' major-label debut, Seen a Ghost, is a charming collection of Beatlesque pop, demonstrating the group's knack for bright, catchy melodies and ringing guitars. Seen a Ghost is a solid, craftsmanlike collection of pop that doesn't offer any new thrills, but there are nevertheless thrills in the hooks...
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Twenty Percent of My HandArtist: 59 Times the Pain
Community Score: 5.00
The second full-length by Sweden's 59 Times the Pain -- the group's first album to see U.S. release -- build on the strengths of 1996's More Out of Today by opening up the stylistic straightjacket of hardcore just a bit to incorporate occasional tempo shifts and some actual pop song approaches. The single "Don't Belong Here" has the pubbed-up...
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Pristine SmutArtist: Murmurs
Community Score: 10.00
For their second album, the Murmurs decided to electrify their collegiate folk-pop and add a full rhythm section. Such an approach could have led to a standard-issue post-grunge affair, where the sound is grungy but glossy and the lyrics are too angst-ridden, but under the watchful eyes of producers k.d. lang and Larry Klein, the duo is steered...
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Roomic CubeArtist: Takako Minekawa
Based on the concept of a "room" being Takako Minekawa's favorite place for creating music, Roomic Cube finds a place for everything. Co-written and produced with her friends in Buffalo Daughter, the album stretches her sound: while her more usual style of minimal, poignant songwriting shows up on tracks like "Sleep Song" and "Never/More," the...
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Live StagesArtist: Vertical Horizon
Vertical Horizon's live album Live Stages was released by indie label Rhythmic Records in 1997 and then again by RCA in 1999. It contains five songs from the group's first two indie albums: four from Running on Ice and one from There and Back Again. The rest are unique to this album and include "The Ride," "The Unchosen One," "Great Divide,"...
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Fun 9Artist: Takako Minekawa
Community Score: 6.00
Takako Minekawa's third full-length U.S. release Fun 9 delivers more of her inventive electronic pop, and includes collaborations with co-producers Cornelius and DJ Me DJ You, the side-project of Sukia's Craig Borrell and Ross Harris. Not surprisingly, this means that while Fun 9 retains Minekawa's playful musical vision -- evident in songs like...
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