A+ exhibited enough potential on his debut album Latch Key Kid for many to consider him as being one of hip-hop's most promising future lyrical assassins. After all you do not hear many 14-year-old shorties rocking the mic as profusely as he did on his debut. However after a two-year layoff in... [+] Expand

A+ exhibited enough potential on his debut album Latch Key Kid for many to consider him as being one of hip-hop's most promising future lyrical assassins. After all you do not hear many 14-year-old shorties rocking the mic as profusely as he did on his debut. However after a two-year layoff in between LP's, A+ has moved on to more adult topic matter and seems eager to present himself as hip-hop's version of Usher. But not only has A+ lost his innocence, he has also lost any sense of originality. One of A+'s major drawbacks is he tends to mimic the flow of whomever he is teamed up with, whether it be Canibus, or Psycho Drama. He waters down this recording with blatant crossover reaches like "Don't Make Me Wait" and "Price of Fame." "What Da Deal" f/ Cardan is especially disheartening, as both MCs trade woeful verses and Cardan sounds like a carbon copy of Mase or Cam'ron.

The few gems on this album stick out like a sore thumb, since they're few and far between. A+ brings guaranteed action with cuts like the heavily mix-tape circulated "Boy II Men" featuring Lost Boyz & Canibus, and a surprisingly tight collaboration "Watcha Weigh Me" featuring MJG. When A+ sticks to simple, yet effective beats and rhymes, he reaps the benefits, as on "Parkside Garden." A+ desperately needs to find his own unique identity and style. "Hempstead High" is aptly titled as it is a high schoolish effort at best; hopefully, with his next LP A+ will mature mentally, instead of physically, and come into his own. ~ Matt Conaway, All Music Guide [-] Collapse

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