In the Flat Field - BEGGARS BANQUETArtist: Bauhaus
Community Score: 9.00
Few debut albums ever arrived so nearly perfectly formed; that In the Flat Field practically single-handedly invented what remains for many as the stereotype of goth music -- wracked, at times spindly vocals about despair and desolation of many kinds, sung over mysterious and moody music -- demonstrates the sui generis power of both the...
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MaskArtist: Bauhaus
Community Score: 8.08
Managing the sometimes hard-to-negotiate trick of expanding their sound while retaining all the qualities which got them attention to begin with, on Mask the members of Bauhaus consciously stretched themselves into newer areas of music and performance, resulting in an album that was arguably even better than the band's almost flawless debut....
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1979-1983: Vol. 1Artist: Bauhaus
Community Score: 6.00
If all single-artist compilations were like this, the world would be a much better place -- while lacking liner notes, or even specific references as to what songs come from where, 1979-1983: Vol. 1, drawing mostly from In the Flat Field and Mask, does a frankly smashing job at capturing the many early high points of Bauhaus' recording career....
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CrocodilesArtist: Echo & the Bunnymen
Community Score: 9.35
Inspired by psychedelia, sure. Bit of Jim Morrison in the vocals? Okay, it's there. But for all the references and connections that can be drawn (and they can), one listen to Echo's brilliant, often harrowing debut album and it's clear when a unique, special band presents itself. Beginning with the dramatic, building climb of "Going Up,"...
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Meat Puppets II - BONUS TRACKSArtist: Meat Puppets
Community Score: 9.90
The Meat Puppets' second album, 1984's appropriately titled Meat Puppets II, has since gone down in the rock history books as an all-time classic, and rightfully so. The Meat Puppets were one of the first punk acts to inject different musical styles into their sound, something that was an absolute no-no at the time -- especially the sparkling...
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Talk Talk TalkArtist: The Psychedelic Furs
Community Score: 7.50
This time working solely with Steve Lillywhite, the Furs introduce a brighter, poppier side to their underground rock edge, with smashing results throughout. The group produces some powerful songs, even more rough-edged than before. Especially striking is "Dumb Waiters," with its queasy, slow-paced arrangement that allows both Kilburn's sax and...
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LCArtist: The Durutti Column
After some abortive collaborations, Reilly hooked up with a regular drummer, talented fellow Mancunian Bruce Mitchell, to create LC, Durutti's second full release. Self-produced by Reilly but bearing the unmistakable hints of his earlier work with Martin Hannett, LC, named after a bit of Italian graffiti, extends Reilly's lovely talents ever...
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Invisible HitsArtist: The Soft Boys
A collection of lost recordings and previously unreleased tracks, a number of this album's cuts remain Soft Boys classics, like "Rock 'n' Roll Toilet," "Wey Wey Hep Uh Hole," "Have a Heart Betty (I'm Not Fireproof)," and "He's a Reptile." Most of the songs were recorded in 1978-79 during the sessions prior to A Can of Bees and Underwater...
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