Acoustic versus synthesized, breathing versus bleeping, live versus studio: Slybersonic Tromosome is all about contrasts and opposites meeting. Peter Zummo is a virtuoso on the trombone. His extended technique covers a lot of aural ground, an impression emphasized by his use of unusual... [+] Expand

Acoustic versus synthesized, breathing versus bleeping, live versus studio: Slybersonic Tromosome is all about contrasts and opposites meeting. Peter Zummo is a virtuoso on the trombone. His extended technique covers a lot of aural ground, an impression emphasized by his use of unusual instruments like didgeridoo and irrigation hose. Tom Hamilton plays electronics and synthesizers. They have been working together since 1993 but Slybersonic Tromosome is their first recording as a duet. Both instrumentalists been recorded separately and then integrated through digital mixing. Although there was live interaction at the session, there was also subsequent studio tampering. This work method allows better mixing of the electronics (stereo panning, depth in the mix), resulting in a more lively and -- paradoxically enough -- interactive performance on CD. It sounds like Zummo and Hamilton relate to each other on a subconscious level as they anticipate the other's move. The electronics take at times an almost electroacoustical quality, dressing up the music in an almost "thoroughly composed" fashion. The music contains a healthy dose of humor tha translates into track titles like "Neural Sturgeon" and "Trance for the Bopanon Set." A very enjoyable CD requiring a lot of the listener's attention, Slybersonic Tromosome was released in a numbered limited edition of 600. ~ François Couture, All Music Guide [-] Collapse

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