This Japanese import-only disc features the reincarnated Hot Licks, led as always by the dapper Dan Hicks. Although Hicks disbanded the unit in the mid-'70s, he had far from retired. This revival contains an entirely new set of musicians backing fresh readings of older and more recent Hicks... [+] Expand

This Japanese import-only disc features the reincarnated Hot Licks, led as always by the dapper Dan Hicks. Although Hicks disbanded the unit in the mid-'70s, he had far from retired. This revival contains an entirely new set of musicians backing fresh readings of older and more recent Hicks compositions, such as "I've Got a Capo on My Brain," which actually pre-dates the first Hot Licks. There are also a number of studio versions and slight rearrangements of more recently issued tracks such as "Hell I'd Go," which was first available on Hicks' live Shootin' Straight (1994) release with the Acoustic Warriors. Joining the madness are a few high-profile Dan-o-philes and Hick-o-phytes. Tom Waits not only contributes his classic barroom sequence "The Piano Has Been Drinking (Not Me)" for the Hot Licks' approval, he joins in the festivities on "I'll Tell You Why That Is." Jazz singer/songwriter Rickie Lee Jones helps Hicks re-stage and rework "I Scare Myself," the only tune that hearkens back to the original Hot Licks and was first released on the 1972 Striking It Rich disc. Jones is also a featured vocalist on the standout "Driftin'." As if that weren't enough, the chuggin', jazzy riffs on "Meet Me on the Corner" are additionally augmented by former Stray Cat Brian Setzer and Elvis Costello. Stylistically, Hicks and these Hot Licks are not far removed from their former selves. The well-placed use of electronic sampling -- most notably on "My Cello" and the overhauled "I Scare Myself" -- are rhythmic enhancements rather than substitutes for ingenuity. Hicks' guitar virtuosity is also in abundance throughout Beatin' the Heat [Japan Bonus Track], as the acoustic guitar sequence that begins "Strike While It's Hot" exemplifies. However, tucked away are many other moments of Django Reinhardt-inspired fretwork. The untitled bonus composition is exclusive to the import disc, although Hicks has stated in subsequent interviews that future domestic pressings may include it as an unlisted and erstwhile uncredited track. Enthusiasts of the Hot Licks of old will undoubtedly embrace this new configuration, as none of the wit, charm, or talent has been lost or otherwise compromised. ~ Lindsay Planer, All Music Guide [-] Collapse

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