Critic's Review
Murrday Fisher, All Music Guide
Jera Denny does eerie and ethereal really effectively; "Where We Used to Be" and "Ghost" are prime examples. The instrumentals on "Where We Used to Be" are evocatively haunting. The one that strikes most to the heart, lyrically, is the real life experience reflected in "Ghost," which Denny wrote about the returning spirit of a loved one a week after he died of cancer. Be prepared for the release of tears with this eulogy. There's an underlying theme on Dog Days of morning losses, from the sadness and futility of a failing romance, the anger after cheating's revealed, and the necessity of finally letting go. "I Know" brings in the contrast of a '60s retro groove rhythm -- it's a bit more upbeat, but also lyrically the most simplistic cut. The title song, "Dog Days," has a chorus with a rhythm reminiscent of "Homeward Bound" by Simon and Garfunkel. At times, some of Denny's songs edge over from ethereal into vague, as with the pretty but drifty "Ten Miles High." While this one would benefit from clearer articulation on the lyrics, even so, it's relaxing to listen to. Though subsequent releases, such as the CD single SAC & SOD, show a maturation in Denny's style, Dog Days serves well as an introduction to the artist's early performances, and can be enjoyed by casual listeners as well as long-time fans.
