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Saturate
Users Say
60 ratings
Album Reviews: 3
Album: Saturate
Artist: Breaking Benjamin
Release Date: 8/27/2002
Genre: Rock/Pop
Tags: alt/rock

As an alternative/hard rock band, the defining point of one's career is signing to a major label. With that said, it makes it all the more surprising that just as Lifer had begun to create a buzz on mainstream radio, guitarist Aaron Fink and bassist Mark James Klepaski quit in order to join... [+] Expand

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Saturate by Breaking Benjamin!

Recent User Reviews

Theyre better than you think!
FULL REVIEW
posted Jan 27, 2005
Amazing.. These guys have my most favorite style in the world.. They are even better in concert, very very professional sounding band. Easy to follow songs very catchy, if some what poppy, but are redeemed by the heavy low tuned guitar riffs.
FULL REVIEW
posted Nov 27, 2005
posted Jan 4, 2006

Critic's Review

2.0 out of 5 stars Jason D. Taylor, All Music Guide
As an alternative/hard rock band, the defining point of one's career is signing to a major label. With that said, it makes it all the more surprising that just as Lifer had begun to create a buzz on mainstream radio, guitarist Aaron Fink and bassist Mark James Klepaski quit in order to join Breaking Benjamin. Whether they saw something special in this independent band or were just sick of their former band's career decisions is unknown, but Breaking Benjamin went on to sign to Hollywood Records, and Saturate has serious potential to become one of 2002's most successful debuts, as although it is repetitive and generic, it is undeniably addictive. Molding hard rock in the vein of Nickelback with the more aggressive side of Korn, Saturate is accessible and slightly heavier than much music suitable for excessive radio play, yet allows the listener to identify with the themes present on the disc. Breaking Benjamin still follows the formulaic pattern of most every hard rock group since the mid-'90s -- the music is hard to resist. The only noticeable dilemma apparent here is that the album drags once it hits "Next to Nothing" and never quite picks back up. Those who enjoyed Lifer certainly should like the rock offered here, and this album should fit in well with other modern rock releases of the here today/gone tomorrow variety.
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