For lack of a better word, Drive might be termed Robert Palmer's blues album. Some of the songs are in the strict blues form, and the approach to the arrangements tends toward spare, acoustic elements. In his liner notes, Palmer cites as inspirations an invitation to participate in a Robert... [+] Expand

For lack of a better word, Drive might be termed Robert Palmer's blues album. Some of the songs are in the strict blues form, and the approach to the arrangements tends toward spare, acoustic elements. In his liner notes, Palmer cites as inspirations an invitation to participate in a Robert Johnson tribute album and the offer to provide the soundtrack to a film set in the deep South in the 1940s and '50s. But, of course, it's not that simple. Spare the arrangements may be, but they are also precise, especially in terms of the rhythms, in a way their models never were. Palmer is a stickler for grooves, and these tracks are carefully edited so that you never really imagine you're in a juke joint. The material ranges from J.B. Lenoir's "Mama Talk to Your Daughter" and Little Willie John's "I Need Your Love So Bad" to more recent fare such as ZZ Top's "TV Dinners" and neo-bluesman Keb' Mo's "Am I Wrong?" Palmer's throaty voice and his urgent delivery are well-suited to the songs, and his usual taste for the Caribbean lightens things up just when the collection is beginning to seem harsh. The version of "Hound Dog," not surprisingly, owes more to Big Mama Thornton than it does to Elvis Presley (Palmer gets the lyrics right, which Presley never did). This is the blues filtered through a highly sophisticated sensibility, and thus rendered as an artifact, however fervently Palmer sings. But then, that filter is what he's been applying to indigenous musical genres for his entire career, and there is much here to remind listeners of his fondly remembered early albums. ~ William Ruhlmann, All Music Guide [-] Collapse

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