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Her Majesty
Users Say
18 ratings
Album Reviews: 2
Album: Her Majesty
Artist: The Decemberists
Release Date: 9/9/2003
Genre: Rock/Pop

On Her Majesty, the Decemberists' follow-up to their excellent debut, Castaways and Cutouts, the group cements its reputation as a seafaring Belle & Sebastian or a more grounded Neutral Milk Hotel. Tying together sweet symphonic pop with a ragtag theatricality, this album is more ambitious and... [+] Expand

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Her Majesty by The Decemberists!

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You Scurvy Scallewags!
FULL REVIEW
posted Oct 10, 2004
The Decemberists succeed on Her Majesty, which gives the listener a sense of nineteenth century maritime.
FULL REVIEW
posted Apr 4, 2007

Critic's Review

3.5 out of 5 stars Heather Phares, All Music Guide
On Her Majesty, the Decemberists' follow-up to their excellent debut, Castaways and Cutouts, the group cements its reputation as a seafaring Belle & Sebastian or a more grounded Neutral Milk Hotel. Tying together sweet symphonic pop with a ragtag theatricality, this album is more ambitious and more scattered than Castaways and Cutouts, making it an initially less accessible and more difficult listen. However, many of Her Majesty's most indulgent moments are among its best, including the high drama of the album opener, "Shanty for the Aretheusa," an epic that runs with the dark beauty that haunted the corners of the Decemberists' debut and gives it a wild, rambling edge. Likewise, "The Gymnast, High Above the Ground" also displays the band's expertise at creating subtle but palpable drama and swooning romanticism with just a few musical brush strokes. The wonderfully named "I Was Meant for the Stage," a triumphantly bittersweet song for the inner drama queen in everyone, shows off Colin Meloy's uniquely expressive voice: at one moment he's lispingly fey; the next, he's sneering self-deprecatingly. These beautiful, challenging songs make the band's occasional dips into treacle, such as the cloying "Billy Liar," forgivable, but what makes Her Majesty such a solid album is the consistent quality of the songs pitched between its high and low points. "Los Angeles, I'm Yours" flirts with soft rock, coming across as a latter-day single from Al Stewart; "Your Red Right Ankle" is an intimately and creatively detailed love song; and "Song for Myla Goldberg" has a sunny, winning appeal. Even though Her Majesty isn't quite as striking and full-formed as Castaways and Cutouts, it's still a consistently charming album that finds the band coming into its own.

Critic Blurbs

Taken together, Castaways and Cutouts and Her Majesty the Decemberists emphatically announce the arrival of an important new voice on the musical landscape
- Laurence Station | Sep 19, 2003
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