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Absolution
Users Say
203 ratings
Album Reviews: 13
Album: Absolution
Artist: Muse
Release Date: 9/30/2003
Genre: Rock/Pop

Though some may still consider them Radiohead mimics, obviously Muse continue to strike a nerve with their alternative hard rock audience, here releasing their third album of heavy guitars, haunted harmonics, and paranoid musings in Absolution. Frontman Matt Bellamy and company stick to... [+] Expand

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Absolution by Muse!

Recent User Reviews

Patrick_C1 person agrees
Good sophisticated Brit rock
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posted Dec 5, 2004
metalliccanucks3 people agree
Muse-absolution
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posted Jan 5, 2005
Sing for Absolution
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posted Oct 29, 2004
posted Nov 28, 2004
Consistantly haunting
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posted Mar 23, 2005
Critics prove their ignorance.
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posted Sep 17, 2005
Critics prove their ignorance.
FULL REVIEW
posted Sep 17, 2005
Muse great and a classic alternative band of the 21st century.
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posted Apr 6, 2007
Absolution doesn't quite live up to OOS, but it finishes up as a great album on all fronts.
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posted Oct 12, 2006
this has to be the most under-rated masterful band i\'ve ever heard. being in the US, i was introduced to muse thru stockholm syndrome. after i heard it, i bought the cd the day it came out. i disagree with any critic who says they sound like radiohead.
FULL REVIEW
posted Dec 30, 2005

Critic's Review

2.5 out of 5 stars Tim DiGravina, All Music Guide
Though some may still consider them Radiohead mimics, obviously Muse continue to strike a nerve with their alternative hard rock audience, here releasing their third album of heavy guitars, haunted harmonics, and paranoid musings in Absolution. Frontman Matt Bellamy and company stick to the same disturbed, and sometimes disturbing, formula that's worked in the past: the emotional intensity and style of Radiohead, a rock thunder descended from Black Sabbath, and the baroque drama of Queen. Longtime producer John Leckie sits this one out, and in steps indie uber-engineer Rich Costey. With Costey manning the desk, the music feels more polished and slick, but less epic and raw. Longtime fans won't miss a beat though, because Bellamy delivers the same Thom Yorke vocal impersonation for which he's known, and continues the same anthemic posturing he's lifted from Freddie Mercury. With song titles and subject matter fueled by fear of the apocalypse, and worries about infidelities and random murders, the subject matter is as gloriously pretentious and lovably unlovable as ever. Newcomers to the band should expect killer guitars reminiscent of jackhammers and chainsaws, bloodcurdling choruses, and, of course, tender passages of falsetto. A recurring motif of racing samplers suggests nothing less than a rock opera version of the score to Koyaanisqatsi, and then there are the occasional spooky moments where funky rhythms mingle with heavy metal guitars, suggesting a progressive Italian zombie flick soundtrack. There's little point in selecting highlights, because other than some slow moments that feel tacked on, there's not much variation in theme or mood. Many listeners will probably prefer to tackle the album in small doses, and only the most headstrong won't require a breather. Muse continue to make unrelenting hardcore art rock; Absolution is a tad cheesy, a bit too grandiose in its ambitions, bursting at the seams with too many ideas, and thus exactly what any Muse fan craves.
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