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Critic's Review
David Jeffries, All Music Guide
Prodigy's main man Liam Howlett said in an interview that usual band members Keith Flint and Maxim weren't on the new album because this was a back to the core record, one to find the soul of Prodigy (dancer Leeroy Thornhill left the band years ago - losing your dancer, always crippling). For anyone rooting for the band, it sounded like a good deal. Howlett came off as a mad beat scientist of great genius on his goin-it-alone CD The Dirtchamber Sessions, Vol. 1, rockin the beats with mad style and blowing the dust off Babe Ruth's "The Mexican" just to prove how he was cooler than you. It was a sweet mix but then nothing, and then it got worse. Howlett himself disowned 2002's dull "Baby's Got a Temper" single so let's all go nuts for Prodigy again, sounds like we're on the right track. There's an inspired list of guest stars on the album - Princess Superstar, Kool Keith, Liam Gallagher, Twista, Juliette Lewis - and Howlett is working hard throughout, twiddling the knobs and making noises fly every which way. "Girls" is a good electro roller, the surprisingly different and slinky "Phoenix" is proof Howlett hasn't lost it, and you're bound to fall for at least one of the generic fist pumpers, they do have that whipping sting in the tail of which Howlett is the master. Unfortunately, Always Outnumbered, Never Outgunned isn't the success 1997's Fat of the Land was. It's steps ahead of the "Baby's Got a Temper" single and worth it for the faithful but not up to the old standards. [Always Outnumbered, Never Outgunned was released in Japan with the bonus track "More Girls", a remix of the album cut "Girls".]
