{$Good Charlotte}'s popularity exploded in 2002, when the brash singles {&"Anthem"} and {&"Lifestyles of the Rich and the Famous"} catapulted them to the top of the {\punk-pop} heap. Once there the combo couldn't be stopped, at least in part because they endorsed their {\pop} side as much as their {\punk}-derived image. When naysayers tried pointing out the music's lack of substance, {$Charlotte}'s irascible core -- tattooed brothers {$Benji} and {$Joel Madden} -- challenged them with the issue of {&"Boys and Girls,"} a vacuous yet irresistibly fizzy {\new wave}-styled goof. {^The Chronicles of Life and Death}, {$Good Charlotte}'s first post-fame album, uses that status as a loosely binding concept. {$The Maddens} are unquestionably happy with their celebrity. But they've also realized that money won't always buy happiness, or heal their old scars. After an indulgent string section intro, the title track begins to the beep of a heart-rate monitor. "Money talks/In this world," {$Joel Madden} sings the song's modified {\power pop} strut. "That's what idiots will say/But you'll find out/That this world/Is just an idiot's parade." It's the jaded realization on the other side of {&"Lifestyles"}' stardom-baiting. Whereas their previous effort was, with a few notable exceptions, boisterous {\punk-pop}, {^Chronicles} includes an echoing relationship-woe piano {\ballad} ({&"The Truth"}), the subdued {&"Ghost of You"}'s synthesizers and vocal harmonies, and quirky keyboards and acoustic guitars in the lyrically bitter {&"The World Is Black"} ("I can't live when this world keeps dying..."). {$Joel Madden} has also matured since {^Young and the Hopeless} -- his newly developed husky tenor suits him well on the more introspective material, but can still belt out the rousing {\punk-pop} choruses of {&"Walk Away (Maybe),"} {&"Predictable,"} and {&"Secrets."} The album's best track might be its greatest departure. {&"I Just Wanna Live"} is a punchy blend of power chords, string samples, and {\disco} beats that features {$Madden} rapping in a {$Nelly}-inspired flow. For all their well-crafted ambition on {^Chronicles}, {&"I Just Wanna Live"} feels like {$Good Charlotte}'s centerpiece, since it's spiked with {\rock} power, but gets its soul from the {\pop} life they lead. [{^The Chronicles of Life and Death} was issued in "{^Life}" and "{^Death}" versions, each with a unique bonus track.] ~ Johnny Loftus, All Music Guide