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1,039/Smoothed Out Slappy Hour
Users Say
103 ratings
Album Reviews: 4
Album: 1,039/Smoothed Out Slappy Hour
Artist: Green Day
Genre: Rock/Pop

When Green Day's first album appeared, anyone predicting that fame, MTV, top-selling albums, and more would be on the horizon in the near future would have been happily patted on the head and then sent to the insane asylum. It helps to remember that Nirvana's breakthrough was still a year away,... [+] Expand

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1,039/Smoothed Out Slappy Hour by Green Day!

Recent User Reviews

Nrawelyker1 person agrees
True innovation doesn't alw...
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posted Mar 25, 2005
Love green day because they are the best band and all my other favorite bands in the past never had been together for that long and that is 15 years and if they split up i would be so mad, and by the way billie joe Armstrong is so hot and so is tre cool
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posted Nov 18, 2005
Good album.
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posted Jul 29, 2006
AWESOME!
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posted Aug 21, 2006

Critic's Review

3.5 out of 5 stars Ned Raggett, All Music Guide
When Green Day's first album appeared, anyone predicting that fame, MTV, top-selling albums, and more would be on the horizon in the near future would have been happily patted on the head and then sent to the insane asylum. It helps to remember that Nirvana's breakthrough was still a year away, for one thing, and, for another, 1,039/Smoothed Out Slappy Hour isn't a truly great album in the first place. It's not bad, by any means, and quite arguably just about everything on it could be transposed with a slight aural tweak here and there to Dookie or Insomniac without anyone batting an eye. It's just little more than a fun punk-pop album with some entertaining metallic flash here and there, one of many such records that the late '80s and early '90s produced in the indie rock world. After a great start with "At the Library," it's quickly clear that the rest of the record is going to continue in the same vein. What's fun is realizing how much the band already had to work with, pursuing obvious love of three-chord forebears like the Dickies and the Ramones to energetic if not revelatory ends. Billie Joe Armstrong's balance of disaffection and nervous, goofy passion is well in place, while he's already showing his effective, no-frills approach to chewy feedback melody. Songs like "I Was There" and "Road to Acceptance," not to mention the implicitly weed-celebrating "Green Day" itself, are great calling cards for later breakouts on both levels. Mike Dirnt's no slouch himself, providing good backing vocals when needed for harmony, but oddly enough the most prominent performance throughout comes from original drummer John Kiftmeyer, who wouldn't last through to the next album. Call it a quirk of recording, but there it is.
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