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Stained Class
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16 ratings
Album Reviews: 0
Album: Stained Class
Artist: Judas Priest
Genre: Rock/Pop

An indisputable metal masterpiece, Stained Class is the apex of '70s Judas Priest, a sinister, muscular collection that ties the disparate strands of their style together while jacking the adrenaline rush up to previously undreamed-of levels. Even the lone slow-tempo track, "Beyond the Realms of... [+] Expand

We Sold Our Soul for Rock 'n' Roll We Sold Our Soul for Rock 'n' Roll
Artist: Black Sabbath
Community Score: 7.34

We Sold Our Soul for Rock 'n' Roll is a good single-disc collection of many -- but not all -- of Black Sabbath's best tracks from the Ozzy Osbourne era, drawing about half of its material from the group's first two albums, Black Sabbath and Paranoid. That makes it ideal for the fan who only wants one Black Sabbath disc, but those who want to dig... Read More

Overkill Overkill
Artist: Motörhead
Community Score: 8.47

Motörhead's landmark second album, Overkill, marked a major leap forward for the band, and it remains one of their all-time best, without question. In fact, some fans consider it their single best, topping even Ace of Spaces. It's a ferocious album, for sure, perfectly showcasing Motörhead's trademark style of no holds barred proto-thrash -- a... Read More

Slow Motion Slow Motion
Artist: Man
Rhinos, Winos and Lunatics Rhinos, Winos and Lunatics
Artist: Man

An excellent set of material energized by the return of the pleasingly abrasive vocals of Deke Leonard; it charted nearly as well as Back Into the Future, and its tighter composition means that in many ways it's held up better over the years. The second half may be the band's artistic high point -- bookended by the pomp-wah instrumentals,... Read More

Live and Dangerous Live and Dangerous
Artist: Thin Lizzy
Community Score: 6.40

Along with Kiss' Alive, the Who's Live at Leeds, and the Rolling Stones' Get Yer Ya-Ya's Out, Thin Lizzy's 1978 double album, Live and Dangerous, is one of the greatest live rock albums of all time. The band wisely hooked up with producer Tony Visconti, again, and although it's become known in later years that the tracks included extensive... Read More

Queens of Noise Queens of Noise
Artist: The Runaways
Community Score: 9.50

The Runaways didn't compromise a bit on their outstanding sophomore effort, Queens of Noise. Melodic yet tough and aggressive, this is hard rock that pulls no punches either musically or lyrically. Classics like "Neon Angels (On the Road to Ruin)," "Take It or Leave It" and "I Love Playing With Fire" wouldn't have been shocking coming from... Read More

Rising Rising
Artist: Rainbow
Community Score: 7.59

On their second release, Rainbow not only avoid the sophomore jinx; they hit a home run. After replacing the entire band (except Ronnie James Dio) immediately following the recording of the first album, Ritchie Blackmore and the Rising lineup (Blackmore; Dio; Tony Carey, keys; Jimmy Bain, bass; and the late, great Cozy Powell, drums) had plenty... Read More

Long Live Rock 'n' Roll Long Live Rock 'n' Roll
Artist: Rainbow
Community Score: 7.50

Long Live Rock 'n' Roll is singer Ronnie James Dio's last album with Rainbow, but at least he went out on a high note. While the material is not quite as strong as on the previous studio effort, Rising, Long Live Rock 'n' Roll maintains the momentum the band had built up. "Kill the King" had been previously heard on the live On Stage record, but... Read More

Bomber Bomber
Artist: Motörhead
Community Score: 7.33

Recorded in late summer 1979 and released by the end of the year, Bomber quickly followed up Overkill, Motörhead's landmark breakthrough album from earlier in the year. Bomber bears a lot in common with its fan-favorite predecessor. For starters, it features the classic Motörhead lineup: Lemmy (bass and vocals), "Fast" Eddie Clarke (guitar), and... Read More

Physical Graffiti Physical Graffiti
Artist: Led Zeppelin
Community Score: 8.45

Led Zeppelin returned from a nearly two-year hiatus in 1975 with Physical Graffiti, a sprawling, ambitious double album. Zeppelin treat many of the songs on Physical Graffiti as forays into individual styles, only occasionally synthesizing sounds, notably on the tense, Eastern-influenced "Kashmir." With John Paul Jones' galloping keyboard,... Read More

Leftoverture Leftoverture
Artist: Kansas
Community Score: 9.80
No Exit No Exit
Artist: Angel City
Data Warehouse Clear Gif