FossilsArtist: Dinosaur Jr.
Community Score: 8.50
A brief, eight-song compilation of the group's SST singles, Fossils effectively sums up the power and vision of Dinosaur Jr.'s early work. Not only does it contain the two masterpieces from You're Living All Over Me and Bug -- "Little Fury Things" and "Freak Scene," respectively -- but it also gathers several excellent B-sides, including...
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Organ FanArtist: Silverfish
This is where L7 jugular ripping meets the subterranean scuzz rock of Throbbing Gristle and Motörhead with exceptionally disastrous results. Made up of ex-members of Rover Girls and In-Stinks and future Ruby frontwoman Lesley Rankine, you would be forgiven for thinking that this was another laborious exercise constructed by industrialized noise...
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Pure GuavaArtist: Ween
Community Score: 7.80
By 1993's major label debut Pure Guava, Ween had distilled their unique mix of eclectic pop and crazed humor to its essence. GodWeenSatan: The Oneness and The Pod were fascinating, but occasionally frustrating albums; at 19 songs, Pure Guava is more polished and concise, but it's still sprawling and occasionally sick, featuring the fuzzed-out...
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It's a Shame About RayArtist: The Lemonheads
Community Score: 8.18
If Lovey captured Evan Dando as he found his signature blend of punk-pop, jangle pop, and folk-rock, It's a Shame About Ray is where he perfected that style. Breezing by in under half an hour, the album is a simple collection of sunny melodies and hooks, delivered with typical nonchalance by Dando. None of the songs are about anything major, nor...
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CrackerArtist: Cracker
Community Score: 5.33
Apart from David Lowery's tendency to slip in some smug, self-serving lyrics, Cracker's debut is a terrific rock & roll record, full of energetic three-chord bashers and surprisingly moving ballads. ~ Stephen Thomas Erlewine, All Music Guide
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SevenArtist: James
Community Score: 7.10
Following the breakthrough success of their previous outing, James released Seven, a record that married the ambitious scope of the lyrics with a grand, anthemic feel. Horns give songs like the lead-off "Born of Frustration" and the surging "Sound" a certain majestic grandeur, sweeping without being overblown. Lead singer Tim Booth is in fine...
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Reading, Writing and ArithmeticArtist: The Sundays
Community Score: 9.20
The Sundays' debut album builds on the layered, ringing guitar hooks and unconventional pop melodies of the Smiths, adding more ethereal vocals and a stronger backbeat. As evidenced by the lilting, melancholy single "Here's Where the Story Ends," it's a winning combination, making Reading, Writing and Arithmetic a thoroughly engaging debut. ~...
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Artist: Skinner Box
What Hits!?Artist: Red Hot Chili Peppers
Community Score: 7.06
After the Red Hot Chili Peppers left EMI for Warner Bros. and hit the big time with "Under the Bridge," their former label gathered most of the best tracks from the group's first four albums for the compilation What Hits!? Since Blood Sugar Sex Magik, the Peppers' most popular album, was recorded for Warner, none of its songs are present -- with...
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Blood Sugar Sex MagikArtist: Red Hot Chili Peppers
Community Score: 8.19
The Red Hot Chili Peppers' best album, Blood Sugar Sex Magik benefits immensely from Rick Rubin's production -- John Frusciante's guitar is less overpoweringly noisy, leaving room for differing textures and clearer lines, while the band overall is more focused and less indulgent, even if some of the grooves drag on too long. Lyrically, Anthony...
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Gold MotherArtist: James
Community Score: 7.50
James completely revamped their lineup for Gold Mother, adding a violinist, a keyboardist, and a trumpeter to the band and attempting to write grand, ambitious arena-rock that recalled U2 and the Waterboys. Although a few of the tracks captured the sprawling, epic splendor that James wished to achieve, they have difficulty writing convincing...
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PushArtist: Gruntruck
Community Score: 10.00
On Push, Gruntruck's second album, the band discards some of its excessive Soundgarden influences and finds its own musical identity. Because of their vicious, sometimes atonal guitar riffage and sparing use of melody, the album only starts sinking in after numerous plays, but as is often the case in such situations, the listeners are ultimately...
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