David Holmes is the among the best in a growing cadre of invisible-soundtrack producers inspired by the audio verité of classic film composers -- Lalo Schifrin, John Barry, Ennio Morricone -- as well as the usual stable of dancefloor innovators and a large cast of jazz/soul pioneers to boot. Similar to the work of Howie B, Barry Adamson, and... [+] Read More

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A DJ at the big beat melting-pot the Sunday Social alongside the Chemical Brothers and Jon Carter, Richard Fearless formed a studio project named Death in Vegas to pump out a similar type of audio adrenaline. With the helping hand of Steve Hellier, Fearless spent two years working on material for an LP, then released Dead Elvis on Britain's... [+] Read More

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Although he didn't become widely known until the 1970s, Dr. John had been active in the music industry since the late '50s, when the teenager was still known as Mac Rebennack. A formidable boogie and blues pianist with a lovable growl of a voice, his most enduring achievements have fused New Orleans R&B, rock, and Mardi Gras craziness to come up... [+] Read More

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Once best known for his tenure in the rap unit House of Pain, Everlast successfully reinvented himself in 1998 with the best-selling Whitey Ford Sings the Blues, a largely acoustic, hip-hop-flavored effort in the genre-crossing mold of Beck. Born Erik Schrody, Everlast first surfaced in Los Angeles as a member of Ice-T's Rhyme Syndicate Cartel,... [+] Read More

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Proponents of the much-maligned big-beat style of dance music (i.e. the Chemical Brothers), the Propellerheads -- keyboardist/bassist/DJ Alex Gifford and drummer/DJ Will White -- sprang out of Bath, England in 1996 to achieve almost overnight success in the U.K. with their brand of unabashed party techno, which combines strains of hip-hop, acid... [+] Read More

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One of the premier songwriters of the rock era, Robbie Robertson was born July 5, 1943, in Toronto, Ontario. The son of a Jewish father and Mohawk mother, Jaime Robbie Robertson's first brush with live music came at the Six Nations Reservation, his mother's girlhood home; at the age of five, he also gained exposure to the country music of rural... [+] Read More

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The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivalled the best old-school DJs on their own terms -- keeping a crowd of people on the floor by working through any number... [+] Read More

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L.A.'s Crystal Method have been referred to as America's answer to the Chemical Brothers. A dance-based electronic duo with a definite rock band feel, the comparison would seem appropriate, although it tends to erase what makes the group distinct: a solid base in American hip-hop, rock, soul, and pop. Formed in 1993 by Ken Jordan and Scott... [+] Read More

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The Prodigy navigated the high-wire, balancing artistic merit and mainstream visibility with more flair than any electronica act of the 1990s. Ably defeating the image-unconscious attitude of most electronic artists in favor of a focus on nominal frontman Keith Flint, the group crossed over to the mainstream of pop music with an incendiary live... [+] Read More

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