As with her hero Billie Holiday, Abbey Lincoln always means the lyrics she sings. A dramatic performer whose interpretations are full of truth and insight, Lincoln actually began her career as a fairly lightweight supper-club singer. She went through several name changes (including Anna Marie, Gaby Lee and Gaby Woolridge) before settling on Abbey Lincoln. She recorded with Benny Carter in 1956 and performed a number in the 1957 Hollywood film The Girl Can't Help It. Lincoln's first of three albums for Riverside (1957-59) had Max Roach on drums and he was a major influence on her; she began to be choosy about the songs she sang and to give words the proper emotional intensity. Lincoln held her own on her early dates with such sidemen as Kenny Dorham, Sonny Rollins, Wynton Kelly, Curtis Fuller and Benny Golson. She was quite memorable on Roach's Freedom Now Suite, showing some very uninhibited emotions. Lincoln's Candid date Straight Ahead (1961) had among its players Roach, Booker Little, Eric Dolphy and Coleman Hawkins and she made some important appearances on Roach's Impulse! album Percussion Bitter Suite. Abbey Lincoln and Max Roach were married in 1962, an association that lasted until 1970. They worked together for a while but Lincoln (who found it harder to get work in jazz due to the political nature of some of her music) became involved in acting and did not record as a leader during 1962-72. She finally recorded for Inner City in 1973 and gradually became more active in jazz. Her two Billie Holiday tribute albums for Enja (1987) showed listeners that the singer was still in her prime and she has recorded several excellent sets for Verve in the 1990s. Because she puts so much thought into each of her recordings, it is not an understatement to say that every Abbey Lincoln set is well worth owning. ~ Scott Yanow, All Music Guide