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Both Sides of the Gun - SPECIAL EDITION
Released: Mar 21, 2006
Label: N\A

After seven albums and 12 years in the game, it can stop being said that {$Ben Harper} is hard to categorize, because at this point, the fact that he always incorporates diverse elements --... Continue[+]

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After seven albums and 12 years in the game, it can stop being said that {$Ben Harper} is hard to categorize, because at this point, the fact that he <i>always</i> incorporates diverse elements -- from {\folk} to {\hard rock} to {\funk} -- into his music and makes something very much his own is a given. He's practically created a genre. So maybe that's why it's so surprising that {^Both Sides of the Gun}, a two-disc album, has little of that very thing that makes him so unique. Instead, he chooses to show off the range of his musical interests, and ends up with something closer to a compilation than a {$Ben Harper} album. The softer, acoustically based disc is full of pretty love songs and sweetly strummed guitars, and though {$Harper} has done this before and kept his own style intact (in {&"Two Hands of a Prayer"} and {&"When She Believes,"} for example), here he comes off sounding a bit boring. He hasn't forgotten himself completely: both {&"Never Leave Lonely Alone"} and {&"Crying Won't Help You Now"} are good songs, sounding strongly of him while also experimenting with other styles ({\Latin}/French and {\gospel}, respectively), but almost all the other tracks could have been pulled off any run-of-the-mill {\singer/songwriter} album from the past ten years. Things improve slightly on the other, louder, disc ({&"Please Don't Talk About Murder While I'm Eating"} is all {\electric blues}, complete with a distorted slide guitar solo, and {&"Serve Your Soul"} is the most {$Harper-ish} of everything, blending {\folk} guitar, pure {\rock}, raw {\blues}, and socially conscious lyrics into one eight-minute masterpiece), but there's still that sampler-record feeling there. {&"Engraved Invitation"} and {&"Get It Like You Like It"} are heavily influenced by {$the Rolling Stones}, {&"Both Sides of the Gun"} alludes to {$Curtis Mayfield} and {$James Brown}, and {&"Better Way"} is practically a tribute (at least musically) to {$Prince}'s {&"7."} {$Harper} has always borrowed from other artists, but he's also always added enough of himself to make it not quite so...blatant. It's not that he isn't able to perform such a diverse selection: there are plenty of excellent cuts and most of the album is quite good. {$Harper} is a fantastically talented musician, and he has really developed his voice since {^Diamonds on the Inside} and is unafraid to do things with it, going from a croon to a scream and always sounding great. But why he's copying other people's styles instead of building on his own is both odd and disappointing, because he's always been able to experiment before while also preserving his individuality. If in {^Both Sides of the Gun} {$Harper} is trying to show his audience what a wide variety of music he can cover, he certainly accomplishes that. But if he's trying to create an album that is really about him, he doesn't quite deliver. {$Ben Harper} is in there, don't worry, but he can be a little hard to find. [The special edition includes a sticker, the scores for {&"Morning Yearning"} and {&"Better Way,"} and a six-song bonus disc. The music is a nice addition: the alternate versions of {&"Reason to Mourn"} and {&"Morning Yearning"} throw out the strings tracks from the originals, leaving a simple background that is perfect for an especially soulful {$Harper}. {&"Get It Like You Like It,"} recorded live in Nashville on August 2, 2005, is good, too, though strangely {$Harper} sounds more like {$Boz Scaggs} than {$Mick Jagger}, while {&"Beloved One,"} recorded one day before in Atlanta, is practically identical to the version found on {^Burn to Shine}.] ~ Marisa Brown, All Music Guide

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Both Sides of the Gun
Released: Mar 21, 2006
Label: N\A

After seven albums and 12 years in the game, it can stop being said that {$Ben Harper} is hard to categorize, because at this point, the fact that he always incorporates diverse elements --... Continue[+]

View Tracks (35)

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After seven albums and 12 years in the game, it can stop being said that {$Ben Harper} is hard to categorize, because at this point, the fact that he <i>always</i> incorporates diverse elements -- from {\folk} to {\hard rock} to {\funk} -- into his music and makes something very much his own is a given. He's practically created a genre. So maybe that's why it's so surprising that {^Both Sides of the Gun}, a two-disc album, has little of that very thing that makes him so unique. Instead, he chooses to show off the range of his musical interests, and ends up with something closer to a compilation than a {$Ben Harper} album. The softer, acoustically based disc is full of pretty love songs and sweetly strummed guitars, and though {$Harper} has done this before and kept his own style intact (in {&"Two Hands of a Prayer"} and {&"When She Believes,"} for example), here he comes off sounding a bit boring. He hasn't forgotten himself completely: both {&"Never Leave Lonely Alone"} and {&"Crying Won't Help You Now"} are good songs, sounding strongly of him while also experimenting with other styles ({\Latin}/French and {\gospel}, respectively), but almost all the other tracks could have been pulled off any run-of-the-mill {\singer/songwriter} album from the past ten years. Things improve slightly on the other, louder, disc ({&"Please Don't Talk About Murder While I'm Eating"} is all {\electric blues}, complete with a distorted slide guitar solo, and {&"Serve Your Soul"} is the most {$Harper-ish} of everything, blending {\folk} guitar, pure {\rock}, raw {\blues}, and socially conscious lyrics into one eight-minute masterpiece), but there's still that sampler-record feeling there. {&"Engraved Invitation"} and {&"Get It Like You Like It"} are heavily influenced by {$the Rolling Stones}, {&"Both Sides of the Gun"} alludes to {$Curtis Mayfield} and {$James Brown}, and {&"Better Way"} is practically a tribute (at least musically) to {$Prince}'s {&"7."} {$Harper} has always borrowed from other artists, but he's also always added enough of himself to make it not quite so...blatant. It's not that he isn't able to perform such a diverse selection: there are plenty of excellent cuts and most of the album is quite good. {$Harper} is a fantastically talented musician, and he has really developed his voice since {^Diamonds on the Inside} and is unafraid to do things with it, going from a croon to a scream and always sounding great. But why he's copying other people's styles instead of building on his own is both odd and disappointing, because he's always been able to experiment before while also preserving his individuality. If in {^Both Sides of the Gun} {$Harper} is trying to show his audience what a wide variety of music he can cover, he certainly accomplishes that. But if he's trying to create an album that is really about him, he doesn't quite deliver. {$Ben Harper} is in there, don't worry, but he can be a little hard to find. ~ Marisa Brown, All Music Guide

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Both Sides of the Gun - BONUS CD
Released: Mar 20, 2006
Label: N\A

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Better Way
Released: Mar 14, 2006
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Both Sides of the Gun - BONUS TRACKS
Released: Feb 13, 2006
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Live at the Apollo - CD & DVD
Released: Oct 4, 2005
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Live at the Apollo
Released: Jun 7, 2005
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Will to Live/Diamonds on the Inside
Released: May 19, 2005
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Welcome to the Cruel World/Fight for Your Mind
Released: May 19, 2005
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Live at the Apollo - CANADA
Released: May 10, 2005
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Ben Harper

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