With their optimistic, spiritual outlook and song-oriented mix of pop, R&B, and folk -- dubbed "rural soul" by the band -- Blessid Union of Souls quickly became one of the most popular bands in the post-Hootie and the Blowfish adult alternative radio format in the mid-'90s. Their 1995 debut album, Home, was a huge success, producing a Top Ten... [+] Read More

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Led by guitarist/vocalist Gavin Rossdale, Bush became the first post-Nirvana British band to hit it big in America. Of course, they became a hit by playing by the grunge rules -- they had loud guitars, guttural vocals, stop-start rhythms, and extreme dynamics. Formed in late 1992 by Rossdale, Bush landed an American record deal before they had a... [+] Read More

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When Seattle grunge went mainstream, it was only a matter of time before the ripple effect was felt in regions other than the Pacific Northwest. Georgia quintet Collective Soul, along with fellow inheritors of the now commercially lucrative post-grunge landscape like Live, Bush, and Candlebox, developed the genre into a more succinct brand of... [+] Read More

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The Santa Barbara, CA, band Dishwalla made a big splash in 1996 with their catchy pop single "Counting Blue Cars." With the gritty heart and soul of those who came before them, Dishwalla's hard rock sound was enough for fans to make "Counting Blue Cars" one of the most-requested songs of that year. The song also garnered the band a Billboard... [+] Read More

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Though Everclear's Northwestern grunge-punk style was hardly revolutionary when the band became popular in 1995, the band's superb songs and Art Alexakis' us-against-them lyrics were taken to heart by bored Gen-X teens. The band's sound reflected the rock, post-punk and singer/songwriter influences of Alexakis like X, the Replacements, the... [+] Read More

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Although it's tempting to lump the Austin, Texas trio Fastball (Miles Zuniga on guitar and vocals, Tony Scalzo on bass and vocals, and Joe Shuffield on drums) in with all the bands that sound similar to the Wallflowers, they're an exception. The trio originally called themselves Magneto U.S.A. and became popular in the Texas region. After... [+] Read More

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For years, Jon English was the lead singer of the indie phenom Plow Monday. Now, after a long break he has resurfaced as a solo artist with a new sound, a new outlook, and one song, Texas Brought Us Here, that is destined to make Texas Music History.

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Upon the release of their debut album, Yourself or Someone Like You, in the fall of 1996, Matchbox Twenty were pigeonholed as one of the legions of post-grunge guitar bands that roamed the American pop scene in the middle of the '90s. As their first single, "Push," climbed the charts, it was widely assumed (at least by cyncial critics) that they... [+] Read More

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Presidents of the United States of America were one of the most unlikely success stories of the post-grunge alternative rock scene in Seattle. Where the rest of their Seattle brethren traded in heavy guitars and heavy angst, the Presidents rejected torment for humor, writing short, simple, and absurd punk songs that relied more on goofy attitude... [+] Read More

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A forgotten '90s rock band from Tempe, AZ, the Refreshments originally formed in early 1994 and were comprised of members Roger Meade Clyne (vocals, guitar), Brian David Blush (lead guitar), P.H. Naffah (drums), and a chap who simply went by the singular name of Buddy (on bass) but whose real name was Arthur Edwards. Early on, their shows proved... [+] Read More

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High Energy pop/rock band from Ann Arbor Michigan. September On lends it self to mid-90's alternative pop band in the vein of Better Than Ezra, Toad The Wet Sprocket, and The Verve Pipe. They bring well crafted songs and an engaging live show to the table. Their debut album "Elisions" is set for release in the Fall of 2008.

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Within the alternative world, Seven Mary Three has often been compared to the mainstream-sounding, garage/arena rock of post-Ten Pearl Jam, but the group insists that their refusal to alienate themselves from the rest of the world makes them different; instead, Seven Mary Three offers songs concerning self-discovery and true outsiders isolated... [+] Read More

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Within the alternative world, Seven Mary Three has often been compared to the mainstream-sounding, garage/arena rock of post-Ten Pearl Jam, but the group insists that their refusal to alienate themselves from the rest of the world makes them different; instead, Seven Mary Three offers songs concerning self-discovery and true outsiders isolated... [+] Read More

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The Australian grunge band Silverchair quickly rose to international stardom in 1995 with their debut album, Frogstomp. Sounding like a bastard offspring of Nirvana and Pearl Jam, Silverchair gained more notoriety for their age than their music -- at the time they released Frogstomp, they were 15 years old.

Originally called the... [+] Read More

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Sponge was one of the more underrated groups in the post-grunge boom of the mid-'90s. When they were on top of their game -- as on the hits "Plowed" and "Molly (Sixteen Candles)" -- their songs had a knack for jangly riffs and catchy, anthemic hard rock hooks, despite being wrapped in the fuzzy guitars and brooding seriousness of grunge. Sponge... [+] Read More

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