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For A Minute feat. T.I.	2,222		0		play
Filesize: 3.5 MB Length: 227 seconds

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The Best of tha Heart of tha Streetz, Vols. 1 & 2
Released: Oct 31, 2006
Label: N\A

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Play It How It Go
Released: Jul 11, 2006
Label: N\A

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Play It How It Go
Released: Jul 11, 2006
Label: N\A

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Play It How It Go Collection
Released: Jul 10, 2006
Label: N\A

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The Heart of tha Streetz, Vol. 2
Released: Mar 21, 2006
Label: N\A

His lazy delivery makes him more like a narrator at times instead of a rapper, and 18 tracks of {$B.G.} may be way too much for all but the most die-hard fan. Luckily, the bloated {^The Heart of... Continue[+]

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The Heart of tha Streetz, Vol. 2 - CLEAN
Released: Mar 7, 2006
Label: N\A

His lazy delivery makes him more like a narrator at times instead of a rapper, and 18 tracks of {$B.G.} may be way too much for all but the most die-hard fan. Luckily, the bloated {^The Heart of... Continue[+]

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His lazy delivery makes him more like a narrator at times instead of a rapper, and 18 tracks of {$B.G.} may be way too much for all but the most die-hard fan. Luckily, the bloated {^The Heart of tha Streetz, Vol. 2} has more thrills than {^Vol. 1}, thanks in no small part to the bigger guest list. Producer/MC {$Mannie Fresh} is the reason {&"Move Around"} breaks away from the pack with the veteran rapper delivering the album's biggest hook and best chorus. The simmering {&"Deuces Up"} with {$Paul Wall} is worth noting if only for {$Wall} and the rolling production from {$Pretty Todd}, while {&"Ain't No Bitch"} is a much better team-up, with {$Webbie} and {$B.G.} bouncing off one another with true fire. Going it alone, {$B.G.} nails bravado and posturing on the short but excellent {&"Intro,"} then slips into too comfortable bragging before coming alive again on the dark {&"Kill or Be Killed."} Then there's the bitter {&"I Ain't Got Nothing,"} which makes up for two or three of the filler tracks, but not the six or seven remaining. When {$B.G.}'s snide swagger and his trademark "wahhhhhhh!" work, they work well and it's a shame the listener has to work so hard to find the gems here. Someone could compile a tight album from the two volumes of <i>Streetz</i> that would have the non-believers believing. More than half the material would come from {^Vol. 2}, but as it is, {$B.G.}'s post-{@Cash Money} schedule of two albums a year is proving to be too much, too soon. [{^The Heart of tha Streetz, Vol. 2} was also made available in a clean version, with all explicit material removed.] ~ David Jeffries, All Music Guide

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Life After Cash Money - CHOPPED AND SCREWED
Released: Jun 21, 2005
Label: N\A

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The Heart of tha Streetz, Vol. 1 - CLEAN
Released: May 24, 2005
Label: N\A

The highs are higher than usual and enough to keep the legions of {$B.G.} fans happy, but {^The Heart of tha Streetz} is another uneven album from the rapper who keeps verifying he's a "singles... Continue[+]

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The Heart of tha Streetz, Vol. 1
Released: May 24, 2005
Label: N\A

The highs are higher than usual and enough to keep the legions of {$B.G.} fans happy, but {^The Heart of tha Streetz} is another uneven album from the rapper who keeps verifying he's a "singles... Continue[+]

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Life After Cash Money
Released: Jul 27, 2004
Label: N\A

Despite the title, this is the second album {$B.G.}'s unleashed since leaving the {@Cash Money} label, and whenever he's rapping about the split, his skills shine. The other topic that sets {$B.G.}... Continue[+]

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Despite the title, this is the second album {$B.G.}'s unleashed since leaving the {@Cash Money} label, and whenever he's rapping about the split, his skills shine. The other topic that sets {$B.G.} on fire is the rapper's late homey {$Soulja Slim}, who {$B.G.} portrays as fool, friend, and legend being disrespected by {@Cash Money} -- all in the same album. You'll need a crash course in {@Cash Money} and New Orleans {\rap} history to figure out all the references on the album, but if you're hip to it, {^Life After Cash Money} is fascinating. In {$B.G.}'s eyes, {$Slim} got punky and pushy, overstepped his thug-life boundaries, and paid for it hard. It's tough love and a rare warning from the street's inner circle, a place where one brash night at the club can earn you a price on your head. {$B.G.}'s slow and lazy Southern style might make him seem flippant about {$Slim}'s untimely death, but longtime listeners can school you. {$B.G.}'s role in the game leaves him no time for tears -- he's too busy "trying to make a dollar out of 15 cents," according to the excellent {&"Geezy Were U Been."} He gushes out the respect for the man in the liner notes, and the party jam {&"Like That"} is an excellent collaboration with {$Slim} that wouldn't sound nearly as good if the duo weren't like kin. His comments on {$Juvenile}'s return to {@Cash Money} are just as fascinating since he has absolutely no beef with the rapper. {$B.G.}'s just too busy building his own {@Chopper City} empire by any means necessary to care what {$Juve} is doing, although he wishes him the best of luck. They're all refreshing viewpoints and proof {$B.G.} is one of the most insightful rappers in the Southern thug scene. Too bad the production is often trashy or unimaginative and the rapper is way too high in the mix for most of the album. Outsiders might hear it as another cheap album from the South, but followers of the {$B.G.} story couldn't really ask for more lyrically. It's like cracking open his -- most likely nonexistent -- diary and one of the most vivid examples of "don't hate the player, hate the game" on CD. ~ David Jeffries, All Music Guide

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