Brad Mehldau
Brad Mehldau was another of the plethora of young jazz pianists in the '90s to adopt Bill Evans as their role model. Yet while the influence of Evans still thoroughly dominates Mehldau's introspective manner, harmonic constructions, and preferred format (the piano trio), he is one of the more absorbing and thoughtful practitioners within that idiom, and he is receptive to the idea of using material from the rock era (Paul McCartney's "Blackbird," for example). Though Mehldau's training is primarily classical, his interest in jazz began early. He played in the Hall High School jazz band of Hartford, CT, winning Berklee College's Best All-Around Musician Award while still in his junior year of high school. He studied jazz at New York's New School for Social Research under Fred Hersch, Junior Mance, Kenny Werner, and Jimmy Cobb. Cobb soon hired him to play in his band, Cobb's Mob, and Mehldau also played and recorded with the Joshua Redman Quartet before forming his own trio in 1994 and recording his first Warner Bros. album, Introducing Brad Mehldau, in 1995. Art of the Trio, Vol. 1 followed in 1997, with the next two volumes in the series appearing over the following months. Two years later, Mehldau returned with Elegiac Cycle, as well as Art of the Trio, Vol. 4: Back at the Vanguard. Places followed in 2000, consisting of all original compositions that focused on a certain city, hence the title of the album. Another Art of the Trio album came in 2001, but the most significant release was Largo, which recorded Mehldau performing with other groups outside of his usual trio format. This was a big change from his previous work, and offered new challenges as he adapted to several interesting lineup situations. Mehldau followed the genre-bending album with the standards-based Anything Goes and Live in Tokyo in 2004, with Day Is Done arriving the following year. In 2006, he released House on Hill as well as Love Sublime, the latter with soprano vocalist Renée Fleming, on Nonesuch Records. ~ Richard S. Ginell, All Music Guide
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albums
If you think jazz is becoming an endangered art form chained to its past, that's nothing compared to the present condition of classical art song, which is almost extinct in concert halls, sustained...
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| recent albums | date | score | reviews |
|---|---|---|---|
| House on Hill | 2006 | n/a | 0 |
| Day Is Done | 2005 | n/a | 0 |
| Anything Goes | 2004 | 8.00 | 0 |
more: Brad Mehldau albums
latest Brad Mehldau news and features
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A breathtaking performance
Article - external | Jun 28, 2006
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The greatness of music
Reviews - external | Nov 17, 2004
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Brad Mehldau On KCRW
Radio - external | Nov 16, 2004
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Great White Mope
Reviews - external | Nov 3, 2004
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Brad Mehldau Translates Nick Drake to Piano
Audio - external | Oct 25, 2004
